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Interviews with our researchers

 

Olga's Research

 Olga Demetriou Director of DGSiAF

  1. Can you tell us about the project you are currently working on?

I am trying to understand the political processes that unfold in refugee reception sites, particularly those that spur mobilizations for and against migration. I work with Antonis Ellinas, a political science scholar at the University of Cyprus who has been studying the far right in Europe. We are very interested in the micro-level of political processes and thus we study the things that prompt people to act in these places, (which are often very small in size and population) across the Mediterranean. The projects we collaborate on are funded by the British Academy, the Cyprus Research and Innovation Foundation, and the ESRC.

We have recently been joined in these projects by four further scholars who are experts in the politics and ethnography of migration in the sites we study: Bernardo Lopez Marin on Spain, Janina Pescinski on Italy, and Maria Kenti-Kranidioti, and Theodoros Kouros on Greece and Cyprus.

  1. How did the idea for the project come about?

I have been interested in the politics of borders and displacement for a long time, looking at the ways in which the global governance of refugeehood works on the micro-level, when for example governments refuse refugee protection while seeming to honour, rather than flout, international agreements. Looking critically at the ways in which law works, I realized how crucial it is to understand activism as an important component of making connections across these levels of decision-making and experience, and thus I increasingly became interested in the relationship between governance and activism.

  1. Has anything about the project so far surprised you?

Yes and no. While we began conceiving of the mobilizations project in terms of contestation between two political camps (pro- and anti-) it almost immediately became clear to us that the field of activism in these locations is more complicated than that. We are finding that along this spectrum of actors and actions that variably focus on migrants, refugees, reception structures, government policies, etc., there might be unexpected alliances as well as a broad range of innovative ways of approaching things. This should not have been surprising because that is what the project is set up to find out. Perhaps on a more somber note, what is most surprising to me, even though I have studied the failures of refugee protection for many years, is the ease with which fundamental legal safeguards are being struck out throughout Europe – we see this most recently in the UK’s approach on outsourcing protection.

  1. What impact do you hope this project will have?

I have to admit that the impact I am aiming at is primarily conceptual. I am very much hoping to understand the connection between grassroots political processes and their wider efficacy. With nearly 30 million people seeking refugee protection today, both global and regional responses are stuck between protection and restrictionism, trying to respond to anti-migration calls while at the same time purporting to adhere to legal standards and commitments, unfortunately at the most minimum level. The contestations we are studying will hopefully shed new light on the dynamics that give rise to such calls and that frustrate efforts at protection. Although conceptual, I think these efforts also hold lessons for much wider questions around the state of today’s democratic regimes. We are hoping to raise these questions in a series of artistic films that the project is commissioning.

  1. What do you know now, that you wish you knew as an ECR? 

On the whole I actually have good memories from my doctoral and post-doctoral work. I was lucky to have understanding and supportive mentors and colleagues, some of whom came from different theoretical traditions as well as different disciplines. That taught me that collaboration is made possible through respecting while also challenging various perspectives. That is one lesson I treasure from those days.

My early career in anthropology was very much steeped in the lessons of the reflexive turn and engagement with the doing and writing of ethnography as inextricably linked. I think that might have placed a high premium on our expectations of what our writing actually does in the world.

  1. What would you regard as the most challenging aspect of being an academic?

That must be the recognition that we are in this job because we enjoy what we do, we are curious about things, and we are intellectually driven. This does place academics in a privileged position vis-à-vis other professions in many different ways, but it also means that this privilege is often countered by less favourable material conditions. The multiple strikes in the UK over the last few years have highlighted these issues and the despair over the bleak prospects that await academics at the start and end of their careers, through precarity and disappearing pensions respectively. I find this tension very difficult to square – between the appreciation of being in a job that I like and the recognition that this is paid for in the before and after.

Catherine's Research

Catherine TurnerDeputy director of DGSiDr Catherine Turner

  1. Can you tell us about the project you are currently working on?

I am just about to start a project called ‘Seeking Common Ground: Is there a coherent concept of peace mediation?’ The idea behind the project is that mediation as a field of scholarship and practice has evolved significantly in the past decade. There are now so many more actors involved, and each of these brings their own disciplinary assumptions and ways of working to the table (if you’ll pardon the pun). As part of this project I will conduct a cross disciplinary analysis of the different approaches to mediation with a view to developing a typology of peace mediation activities and the ways they are connected to the goal of sustaining peace. In doing this I also hope to create a theoretical framework that builds on the tools of critical theory to further interdisciplinary understanding of mediation in theory and practice.

I’m an inherently interdisciplinary scholar, and I’m fascinated by the way in which ideas speak to each other or not across disciplinary boundaries. So I’m excited about playing with some of the analogies and techniques from language and communication to explore deeper understandings of peace mediation.

The project is supported by a Leverhulme Fellowship and I am very grateful to have the time to really dive into these questions in some depth. Hopefully there will be a monograph coming to all good bookshops sometime in 2025!

  1. How did the idea for the project come about?

This particular project has come about through a fairly sustained piece of work engaging with policy makers in relation to peace mediation. I have spent the last few years seeking to understand the changing landscape of peace mediation. This has involved working with a whole range of different people, from civil society activists, to government departments and the UN. I learned so much about the different ways in which people approach the question of mediation, which prompted me to think much more about the need to step back and really think about the foundations of the field and how to conceptualize it.

  1. Has anything about the project so far surprised you?

I’m only really starting out on this leg of the journey, but so far I have been having a lot of fun thinking about the language aspect of mediation. There are so many analogies that can be drawn on to think about conflicting understandings not only of how we conceptualise mediation, but also how it operates in practice. For example, the Critical Legal Conference is taking place in Norway this year—one of the stream’s invited submissions conceptualized law through the mythical beasts that control access to it. I’m very interested in the role of law in peace processes, and I had a lot of fun researching myths and fairytales to explore the different ways in which law can be characterized, the different ways in which we ‘see’ or ‘hear’ a story that is being told, and what this tells us about the competing expectations of inclusion in mediation.

  1. Is there a normative aspect to your work, and how do you weigh that against the notion of scientific objectivity?

In general, no. I am a post-structural theorist and draw primarily on Jacques Derrida’s work to try and reveal structures of violence. In the project on peace mediation I will be working through Derrida’s writings on negotiation and on translation to try and understand how we relate to others. So as a general rule I am more interested in understanding contestation than taking part in it.

That said, I do believe that there needs to be greater attention paid to increasing the representation of women in the peace mediation field. I have explored this primarily through the lens of leadership – advocating re-thinking how we understand leadership to bring in a more nuanced understanding of why diversity matters. But even at that I seek to understand how we might address it rather than taking an activist or strongly normative stance. 

  1. What impact do you hope this project will have?

Ultimately I hope that by spending some time really thinking about how the peace mediation field has evolved and some of the core recurring tensions that are presenting at the moment, the research will be useful in bringing some clarity for policy makers on the different understandings of mediation, how they shape the engagement of different parties, and how this would improve the policy response.

  1. What inspired you to get involved with this field of research?

My disciplinary background is in law. I first became interested in the field of peace and security when I was an undergraduate student, studying what was then a very nascent field of Transitional Justice. But I was always a little uncomfortable about the political dynamics of law in conflict and post-conflict environments. Coming from Northern Ireland, I had really big questions about how the use of human rights law had become so politicised, and how to overcome that. After I completed my degree I had the opportunity to go and work for an organization called Mediation Northern Ireland, based in Belfast. This was in the early post-Good Friday Agreement years and they were developing a model of civic mediation to help communities in conflict to engage in in nonviolent ways. That experience was particularly formative. I saw the way in which attention to relationships could help to make life easier for people who had lived with terrible violence. From then on I saw justice through a relational lens, and I have spent my academic career exploring how these ideas can be reconciled with legal approaches to post-conflict justice. This has led me from an early focus on transitional justice into the field of peace mediation more broadly, which for me has a lot of parallels with transitional justice.

  1. What do you know now, that you wish you knew as an ECR? 

I didn’t have the same journey into academia as ECR’s do these days. I was hired as a research assistant and then a lecturer without a PhD. I later completed my PhD part time, but in many ways my journey was easier. But I remember as a young scholar looking at the policy engagement work that my senior colleagues were doing and wondering would I ever get the opportunity to make a difference in that way—to engage with all these really interesting people. I was in a hurry.

I felt like I had something to prove. I wish I had known then that things worked out ok and that I could put a little less pressure on myself. It is important to take the time to find your academic voice and be confident about what you are contributing—whether that is to academic knowledge or to policy engagement. There is always pressure to be doing more, but building a solid foundation is important, even when it feels lonely.

  1. What would you regard as the most challenging aspect of being an academic?

The work is never done. There is always something you could be doing—another article, another conference, etc. It is difficult to ever really switch off. I also find that there are so many ideas out there that I would love to learn more about and engage with. Yet our professional lives are now structured much more so than in the past. We have targets in terms of both the nature and quality of what we produce that requires a certain degree of discipline and focus and the ability to filter out that which is not immediately useful. I find this difficult. For this reason the Leverhulme Fellowship feels like a real luxury. Without the time pressures of teaching and administration I can really spend time thinking, exploring and playing with ideas in a way that would not be possible otherwise.

  1. Who would you most like to collaborate with?

Collaboration is a real joy of academic life. In law in particular, we are trained to work alone, and conditioned to believe that sole authored work is of higher value than co-authored work. But part of my work on peace mediation has been on the Women Peace and Security agenda as a way of thinking about women’s inclusion. I have been working with Professor Aisling Swaine of University College Dublin on this project for a couple of years now. It has been the most generative academic experience of my career because we both bring something different to the research, and through the process of collaboration—talking, thinking and writing together—we have definitely generated ideas and ways of thinking about problems that neither of us would have generated alone. For me this type of collaboration is so much more than the sum of its parts. It’s a real example of 2+2=5. There is an added secret ingredient. So for now I am happy with my collaborator!

Stefanie’s Research

Stefanie Kappler - Professor in Conflict Resolution and PeacebuildingProfessor Stefanie Kappler

  1. Can you tell us about the project you are currently working on?

I am currently working on a number of collaborative research projects. Two are dealing with the connection between memory, cultural heritage and peacebuilding, one is addressing the ways in which art can contribute to peace formation processes, one investigates ways of decolonizing peace education in Africa (DEPA).

  1. How did the idea for the projects come about?

Most of the projects have emerged from years of conversations with colleagues that eventually translated into a successful funding proposal and more institutionalized ways of collaborating. What interests me across those projects is essentially the ways in which dominant, often colonial, ideas of peace can be challenged by the inclusion of new ideas, actors and worldviews.  

  1. Has anything about the project so far surprised you?

One big thing has been the opportunity to learn from African-based scholars and artists through the DEPA-project. It is really astonishing that their insights and knowledge have been largely ignored in peace scholarship and practice, despite what they have to contribute to our understanding of peace and justice. This large blind-spot is likely not a coincidence and linked to global power inequalities, but it still leaves me to wonder what else peace work is overlooking as a result of its focus on ideas of powerful actors and institutions in the global north.

  1. Is there a normative aspect to your work, and how do you weigh that against the notion of scientific objectivity?

I have always been explicitly normative in my work – for how can one talk about peace without having certain ideas about justice and social relations? Ideally, I see my role as amplifying and translating voices to new audiences, discussing the complicity of my own networks/communities/governments in war and violence and raising uncomfortable questions. All of this can be researched through tested and consistent research methods, but it is inherently and necessarily normative in its orientation and goals.

  1. What impact do you hope this project will have?

It is hard to judge what kind of impact any research project might have further down the line. In the first instance, I am hoping that some of the resources that we managed to mobilise for these projects have benefitted the early-career researchers that were hired, researchers situated in contexts with less funding available as well as the local partners who we have been working with to co-produce the research findings. In the longer run, I am hoping that our research will help open up the debate around the different understandings of peace and create space for so-far marginalised approaches and ideas.

  1. Are there policy take-aways from your research? What would you say that they are? 

In a nutshell, I think I would summarise them as:

  • Education matters, and we need to be attentive to which agendas are promoted in curricula, and which are not.
  • Art can give important insights into the workings of war and peace.
  • Engaging with the cultural heritage of war requires a sensitive approach that does not treat people as less important than objects. At the same time, heritage objects can be of considerable importance to those who have experienced loss and trauma and should thus be treated with dignity.
  • The diverse memories of violence, especially where they link into persistent structures of inequality and injustice, can sustain violence in the long-run and need to be taken seriously in any peace work.
  1. What inspired you to get involved with this field of research?

I think I was frustrated with the reluctance of much of the peacebuilding practice (and scholarship) to critically reflect on its own power inequalities, hierarchies and blind-spots. When I started to engage with artists in Bosnia-Herzegovina, around 2009, this was an eye-opener for me in terms of how much they had to say about the deficiencies of the “peace process” and how very few actors in the peacebuilding world took this seriously. The artwork I discovered was so full of comments about what a just order might mean for the country and region and pointed to ways in which the past could be engaged in non-ethnic ways. That, in turn, really triggered my interest in thinking about the connections between art, memory politics and peacebuilding.

  1. What would you regard as the most challenging aspect of being an academic?

For me, it is balancing the competing demands of research, teaching and administration. I spend more time on the last than the former two, although I most enjoy research and teaching. I wish there was more time to interact directly with research partners, interview's and students as this is where the best ideas seem to come from.

Will’s Research

Will Plowright - Lecturer in Peace and Conflict Studies in SGIAwill plowright

  1. Can you tell us about the project you are currently working on?

In disasters and conflicts around the world, humanitarian aid workers struggle to bring assistance to suffering populations. But at times, governments will actively bock and obstruct those humanitarians, leading to increased death and suffering. Both authoritarian and democratic states have done this. What explains these actions, and why would states who profess a dedication to human rights obstruct assistance to the most vulnerable people in the world? My project seeks to answer this question, looking to how European governments blocked assistance during the so-called “European Migration Crisis” of 2014 to 2022.

  1. How did the idea for the project come about?

The idea came from personal experience when I was working in Libya for a humanitarian organization, trying to bring medical care to refugees and migrants who had been locked in internment centers in spite of having committed no crime. While we tried to bring assistance, we were repeatedly blocked, and were constantly left wondering why.

  1. Has anything about the project so far surprised you?

The most surprising thing to me has been the interviews, which I did with around 150 active humanitarian aid workers. The diversity of ideas and challenges was stunning, but so was the creative means with which humanitarians try to overcome obstructive governments.  It’s incredible how a relatively small group of people can challenge the most powerful governments in Europe in order to bring assistance to needy people.

  1. Is there a normative aspect to your work, and how do you weigh that against the notion of scientific objectivity?

I am unabashedly on the side of the humanitarians in their struggle against obstruction. Although the humanitarian system is very far from perfect, it’s the best system we have for the moment, and it helps bring assistance to millions of vulnerable people. I hope to have a normative angle that helps to expose the contradictions and power imbalances within the humanitarian system, while also studying how governments block humanitarians in order to better understand how to navigate those obstructions.

  1. What impact do you hope this project will have?

Beyond the research, I will share the final product with a number of key individuals within humanitarian organizations, in the hopes that it can continue to foster discussion on how obstruction of assistance may be overcome.

  1. Are there policy take-aways from your research? What would you say that they are? 

The main policy take away is that Western governments regularly obstruct humanitarian assistance, and they will not cease doing so any time soon, so humanitarians need to be ready to engage in a long struggle against Western governments in order to push for the norm of humanitarian access.

  1. What is your favourite part of the research?

My favourite part of the project was the conducting interviews, with humanitarians from all over the world. It was deeply insightful to hear about such a range of experiences, but also to see the common trends of obstruction across the different contexts.

  1. What inspired you to get involved with this field of research?

My passion for humanitarian work led me to the field, and I was lucky to work in a variety of areas. However, the reality of the humanitarian sector is that it has many problems, power imbalances, inefficiencies, and more. I started to research humanitarian work theoretically so that I could better understand how to engage in humanitarian work practically.

  1. What do you know now, that you wish you knew as an ECR? 

Research is always a challenge, and sometimes the answers seem elusive and impossible to grasp. Follow your intuition and seek the opinions and guidance of as many peoples as you can, to help you challenge your assumptions and find a way forward.

  1. What would you regard as the most challenging aspect of being an academic?

Sometimes being in the academic ‘ivory tower’ can seem incredibly distant from real world events. We as academics are an incredibly privileged bunch and are very lucky to have a job where we study the things that we are passionate about. We need to remember this and ensure that our research is close to real world events and is able to support people suffering in real ways. We can do that in our research by ensuring it has real world implications, and in our classrooms by ensuring there are diverse voices in the classroom, and by engaging with colleagues who are able to offer a range of experiences and views.

  1. Who would you most like to collaborate with?

I once worked in a very challenging humanitarian context, with large amounts of violence, and ethical challenges that made humanitarian work very challenging. When I left and returned home, I came across a copy of Humanitarian Ethics (Oxford, 2015), which not only opened my eyes in a research sense, but also helped me think through many of the ethical challenges I had faced. I admired the author’s ability to match research with real-world challenges, so if I could pick any collaborator, it would probably be Hugo Slim.