Dr Samuel Thomas
(email at email@example.com)
Biography & Research
I am originally from the Southampton area. I have a BA in English with American & Postcolonial Studies from the University of Exeter, an MA in Critical Theory from the University of Sussex, and a PhD from the same institution (where I was also employed as a tutor for a number of years).
My research is primarily focused on contemporary US fiction and can be divided into the following broad areas: (i) Theories and representations of resistance, counterculture, crime, and political violence; (ii) relationships between literature and popular/underground music; (iii) the interplay between ‘literary’ and ‘genre’ writing (and the cultural politics of genre more generally); (iv) transnational and regional approaches to US fiction.
The most significant through-line here is my work on the novelist Thomas Pynchon. Pynchon and the Political, my first book, was published by Routledge in late 2007. This project is part of the 'Studies in Major Literary Authors' series and explores the relationship between political commitment and postmodern play in Pynchon’s extraordinary and demanding fiction.
My more recent research investigates Pynchon’s engagement with national/regional cultures beyond the borders of the USA. This phase of my career includes long articles on the representation of the Balkans in Against the Day and on Argentine literature and politics in Gravity’s Rainbow. The latter piece draws on the unique results of archival sleuthing carried out in Buenos Aires, ably assisted by the translator Daniela Vazquez Kalf. My interest in Pynchon continues unabated with a new publication on (un)popular music in Bleeding Edge.
In August 2013, I organised 'International Pynchon Week' in Durham, a 4-day conference that featured close to 50 speakers from around the world. I have also spoken about Pynchon on CBC's 'Sunday Edition'. You can listen here:
Beyond Pynchon, I have published scholarship on the depiction of terrorism in contemporary fiction and cinema (including the work of filmmakers such as Hany Abu-Assad and Olivier Assayas).
I am currently developing a book on music and the contemporary US novel, alongside a variety of shorter pieces and engagement activities focused on heavy metal culture. I recently introduced a special screening of Jonas Åkerlund’s Lords of Chaos at the Tyneside Cinema in Newcastle, for example, and curated a ‘literary metal’ playlist for the Department’s research blog:
I have presented my research at various UK universities (Sunderland, Sussex, Brighton, and Westminster), as well as internationally (Buenos Aires, Valletta, Munich, and Belgrade).
I am a member of the Centre for Modern Conflicts and Cultures in Durham, the Captivating Criminality Network, and the International Society for Metal Music Studies.
Teaching, Supervision & Other Roles
Office Hours: Not yet confirmed. See the sign-up sheet on my door.
My lecturing is mostly concentrated on the Level 3 American Fiction option. In academic year 19/20, I am launching a Level 2 seminar module called ‘Contemporary US Fiction & the Question of Genre’ (having previously run the special topic ‘Fictions of Terrorism’ for many years). I have also introduced an MA class on US Crime Narrative (replacing a long-standing module devoted to Pynchon). For the past few years, I have convened and helped to restructure the Department's Level 3 Dissertation module.
In 2017, I won the DSU’s annual award for ‘Outstanding Academic in the Arts and Humanities’, for which I am very grateful.
I have experience of supervising a number of PhDs. My previous doctoral students have completed successful projects on topics such as: Pynchon and theology; sprituality and landscape in Pynchon’s Californian trilogy; the Faust myth in Pynchon and Gaddis; the US Presidency in Pynchon, Roth, and McCarthy.
From 2010 to 2017, I was the international co-ordinator for English Studies. During this time, I was responsible for managing our Erasmus and Overseas Exchange partnerships and I implemented the Department's first degree programme to include a full year abroad.
- American Studies
- Critical Theory
- Thomas Pynchon
- Literature and Popular / Underground Music
- The Relationship between 'Literary' and 'Genre' Writing
- Argentina and Anglo-American Fiction
- Contemporary US Crime Narrative
- Heavy Metal Culture
- Political Violence / Terrorism in Fiction and Film
- Thomas, S. (2007). Pynchon and the Political. London and New York: Routledge.
- Thomas, S. (2011). Review of Reaganism, Thatcherism and the Social Novel by Colin Hutchinson. Modern Language Review 106(1): 253-254.
- Thomas, S. (2007). Local and Global Antagonisms: Three Approaches to the Contemporary Novel. Textual Practice 21(4): 181-191.
- Thomas, Samuel (2019). Blood on the Tracks: Pynchon, Bleeding Edge, and (Un)popular Music from Britney to Black Metal. Orbit: A Journal of American Literature 7(1): 1-55.
- Thomas, S. (2013). The Gaucho Sells Out: Thomas Pynchon and Argentina. Studies in American Fiction 40(1): 53-85.
- Thomas, S. (2013). Yours in Revolution: Retrofitting Carlos the Jackal. Culture Unbound: Journal of Current Cultural Research 5: 451-478.
- Thomas, S. (2011). Outtakes and Outrage: The Means and Ends of Suicide Terror. MFS: Modern Fiction Studies 57(3): 425-449.
- Thomas, S. (2010). Metković to Mostar: Pynchon and the Balkans. Textual Practice 24(2): 353-377
- Thomas, S. (2008). Review of Slavoj Žižek's In Defense of Lost Causes. Times Higher Education No.1,852(3-9 July): 51.