Dr Abbie Garrington, MA (hons) PhD (Edinburgh) FRGS
(email at firstname.lastname@example.org)
Office hour: Please email to make appointments. Office hours will resume in Michaelmas Term 2019.
I am Associate Professor of Modern and Contemporary Literature here at Durham. My research interests lie primarily in the modernist period, with particular expertise in literature's rendering of tactile experience and wider cultures of touch in the early twentieth century, and in modernist writing's engagement with mountain landscapes and the figure of the mountaineer up to and including the Second World War. Broadly, I investigate language's capacities and limitations when addressing the adventures of the human body.
I completed my studies at the University of Edinburgh, with a short break pre-PhD, working full time as a journalist. I was granted a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities (Edinburgh), and held a permanent lectureship in modernist literature at Newcastle University (including a Leverhulme Research Fellowship) before joining Durham in early 2015.
I am the Department of English Studies' Deputy Director of Research, with primary responsibility for our Impact work. I also sit on the departmental Research Committee.
The focus of my current work is the monograph High Modernism: A Literary History of Mountaineering, 1890-1945. The project was granted a Leverhulme Research Fellowship for 2013-2014, facilitating archival research around the UK. I then developed the monograph as a Visiting Research Fellow at the Institute for Advanced Studies in the Humanities, University of Edinburgh. A related podcast, 'Mountains' (recorded as part of the BBC Proms 2018), is available here.
I chose not to publish my PhD thesis (on geometrical space in modernist art and literature). My first monograph, written as a postdoctoral fellow, was Haptic Modernism: Touch and the Tactile in Modernist Writing (Edinburgh University Press, 2013; paperback 2015):
“This is a beautifully controlled study of literary hands as they write, point, stroke, trace, and tease. At the same time it is an expansive, audacious and supremely well-handled study of what it means to touch and be touched, to feel and be felt. Haptic Modernism establishes Abbie Garrington as one of the most compelling voices in the rapidly-evolving critical conversation about literature and ‘the business of the bodily’. […] the whole book [is] both a joy and an education.” - Prof. Alexandra Harris, University of Birmingham
"As a mode of inquiry, Haptic Modernism is fundamentally generative, opening up new domains of scholarship on the topic of modernism and the history of the senses." - Prof. Jesse Schotter, James Joyce Quarterly
“a fresh perspective […] breaks new ground […] extraordinary close readings […] sometimes dizzying. The volume enriches the study of haptic aesthetics in modernism through its coherence, depth, and attention to literary texts and will most certainly provoke further investigation.” - Ms Amy E. Elkins, Journal of Modern Literature
“an eclectic, absorbing and beautifully written provocation to further thinking on the subject.” - Dr Beci Carver, Critical Quarterly
Member of Advisory Council, Institute of English Studies, School of Advanced Study, University of London, Spring 2017-present. Details: http://www.ies.sas.ac.uk/about-us
External Examiner, Undergraduate English Literature programme, University of Edinburgh, 2016-2020
Partnerships and Engagement Travel Fund, Durham University, "Mountain Heritage Trust/Keswick Museum," 2019
University Impact Development Funding, Durham University, "The Lost Tent: The Bentley Beetham Collections," 2019
University Research Impact Funding, Durham University, "Scaling the Heights," 2017-2018
Faculty Research Funding, Durham University, "Scaling the Heights," Spring 2017
Faculty Research Funding, Durham University, "Reading Habits of the Modernist Mountaineer: The Fell and Rock Climbing Club Library at the Armitt Museum, Ambleside," July 2015
AHRC Care for the Future (ECR) Developmental Award, “The Hero Project,” 2015-2016 (Principal Investigator)
Visiting Research Fellowship, Institute for Advanced Studies in the Humanities, University of Edinburgh, with special attachment to the Mountaineering & Polar Collections, National Library of Scotland (Edinburgh), 2014-2015
Leverhulme Research Fellowship, High Modernism: A Literary History of Mountaineering, 1890-1945, 2013-2014
Faculty Research Fund Award, Newcastle University, “Modernist Mountaineers: UK Archival Holdings,” 2012-2013
Prize for Mountain Writing, Mountaineering Council of Scotland/Edinburgh Mountain Film Festival, 2011 (2nd prize)
Postdoctoral Fellowship, “Touching Texts,” Institute for Advanced Studies in the Humanities, University of Edinburgh
AHRC Doctoral Award, University of Edinburgh
Impact and Public Engagement Projects
"Scaling the Heights": A collaboration with the artist Stephen Livingstone, this exhibition opened at the Oriental Museum (Durham) in 2018, and is now on view at Keswick Museum until October 2019. Supported Arts Council England, Durham University Research Impact Fund, Impact Development Fund, A&H Faculty Research Fund. Research Assistant Ms Angela Harris; Impact strategy Dr Natalie Goodison. Keep up with us on Instagram.
“The Hero Project”: With colleagues at Birmingham and Aberdeen universities, the Royal Geographical Society (with IBG), and the National Galleries of Scotland (NGS), I was awarded AHRC funding via the Care for the Future Developmental Award route. We considered, through a variety of activities, the historical contingency of the identification of hero figures, and the role of the hero in forming national and/or community identity. Our online exhibition "No Heroes Any More?" used the collections of the NGS, was designed in collaboration with young people aged 16-18, and is available here. I was the project's Principal Investigator.
"Savage Arena: The Legacy of Joe Tasker": I co-curated, with the Mountain Heritage Trust and Ushaw College (Durham), an exhibition regarding the mountaineering and mountain writing achievements of Tasker. It appeared at Ushaw College, Keswick Museum, and (in an expanded version) at Preston Park Museum. The project was supported by the Heritage Lottery Fund.
"Exploring Archives": I have been organiser or co-organiser of several events bringing new audiences to the UK's mountain-related archives. One was "Mountain Legacies" at the Lit and Phil (Newcastle), which brought together academic researchers, librarians and the painter/printmaker Susan Dobson, for a day of talks and an exhibition exploring connections between on-site mountain painting and the history of mountain publishing.
"Performing Landscapes: Mountains": I am a member of the advisory board for Prof. Jonathan Pitches' AHRC Leadership Fellow Award project investigating the connections between climbing and performance pratice. More here.
I have been a keen expedition leader, taking several expeditions to the Amazon rainforest with the British Exploring Society (at the Royal Geographical Society). A full-time academic appointment has cramped my expeditioning style, and I now most often participate as a team member rather than leader.
Modernist Studies Association; British Association for Modernist Studies; French Society for Modernist Studies; North East Modernist Research Initiative; British Mountaineering Council. In 2014 I was invited to become a Fellow of the Royal Geographical Society.
I would be pleased to hear from potential PhD students proposing to work in the modernist period (c.1890-1945), or on modernist-influenced contemporary writing. My supervision areas of particular interest include: bodies; the senses; touch/the haptic; hands; gesture; skin; mountains; expeditionary writing; aeriality, verticality, and all things 'up in the air'; epistolary forms. Authors of particular interest: James Joyce; D. H. Lawrence; Virginia Woolf; W. H. Auden; W. S. Graham.
Current PhD students:
Ms Vicky Penn, "The Post-Romantic Landscape of Identity: Jorie Graham and Alice Oswald" (First supervisor: Dr Paul Batchelor)
Mr Dominic Berry, "Nocturnal Modernism" (Second supervisor: Prof. Jason Harding)
Ms Angie Harris, "Terror and Ecstasy in the Work of Virginia Woolf" (First supervisor: Prof. Pat Waugh)
Confirmed for 2019:
Mr Gao Dazheng, "Of Transparent Things Impenetrable: Quotidian Objects and Narrative Phenomenology in Modernist Fiction" (Co-supervisors: Dr James Smith; Dr John Nash)
Mr Christian Drury, "British Narratives of Arctic Travel and Exploration, 1875-1940" (Co-supervisor: Dr Eleanor Rosamund Barraclough) (Funded DurhamARCTIC)
Mr Ryan McNab, "Ecological Networks and Rural Modernist Fiction" (Second supervisor: Dr John Nash) (Funded AHRC Northern Bridge Consortium)
Recent and Forthcoming Presentations
"Clock Time, Clerk Time, Mountain Time: Modernist Workers Access the Alps," Modernist Studies in Asia Network Annual Conference, Aoyama Gakuin University, Tokyo, 12-14 September 2019.
"Black, White, and Read All Over: Mines and Mountains in the Modernist Press," Centre for Modern Studies, University of York, 1 May 2019. Invited.
"Aerial Graham," (co-written with Prof. David Trotter), Centenary Seminar for W. S. Graham, University of Cambridge, 11 January 2019. Invited.
"Mountains and the Imagination," BBC Proms Interval Talk, Imperial College London, 30 July 2018. Invited.
"A Parliament of Fidgets: Objects, Fiddling, and the Steady Hand of Modernist Governance," Modernist Objects Conference, Paris-Sorbonne, 13-16 June 2018.
"Hawk, Airman, Mountaineer: Auden and Circle and the Aerial View," Literary and Visual Landscapes Seminar Series, University of Bristol, 7 May 2018. Invited.
"Performing Mountain Archives," Performing Mountains Conference, University of Leeds, 22-24 March 2018.
"The Long 1930s: Aeriality, Sensations, Language," Modernist Studies Association Conference 19, Amsterdam, 10-13 August 2017. Roundtable. Invited.
"The Modernist Fidget," Gestures in Texts and the Visual Arts Conference, University of Burgundy, Dijon, 29-30 June 2017. Keynote address. Invited.
"Sherpa, Porters, and 'Coolies' On the Hill," Cinema Politica screening, Northern Stage, Newcastle, 6 April 2017. Invited.
"The Fallen: Modernism's Mountain Dead," London Modernism Seminar, 4 March 2017. Invited.
"Touch as Language/Language as Touch," Independent Dance "Crossing Borders" Speaker Series, Siobhan Davies Dance Studios, London, 8 November 2016. Invited.
"'When Men and Mountains Meet': An Emotional History," English Literature Visiting Speaker Series, University of Edinburgh, 1 April 2016. Invited.
"The Mallory/Holmes Correspondence: Travel, Letters, and Travelling Letters," Cultural Significance of Place Research Group Seminar, Newcastle University, 16 December 2015. Invited.
"Summit Understood: A Literary History of Topping Out," Kendal Mountain Festival, 21 November 2015. Invited.
ENGL43530 "Modernism and Touch" - MA Optional Module - Seminar Leader (next running 2019-2020)
ENGL43330 "Reading as a Writer" - MA Optional Module - Lecturer
ENGL3241 "Writing Mountains in the Early Twentieth Century" - Third Year UG Special Topic Module - Seminar Leader (next running 2019-2020)
ENGL2081 "Literature of the Modern Period" - UG Module - Lecturer; Tutor
UG Dissertation; MA Dissertation; Creative Writing Extended Essay - Supervisor
- Aeriality, verticality, and orientation across literary forms
- Haptic literature and criticism
- Literary history of mountains and mountaineering
- Literature and theory of the human body and its senses
- Modernism and mid-century writing, particularly Auden and circle, Joyce, Lawrence, Woolf
- Garrington, Abbie (Planned). High Modernism: A Literary History of Mountaineering, 1890-1945.
- Garrington, Abbie (2013). Haptic Modernism: Touch and the Tactile in Modernist Writing. Edinburgh University Press.
- Garrington, Abbie (2013). Pragmatic Modernism by Lisi Schoenbach. Modern Language Review 108(4): 1264-1265.
- Garrington, Abbie (2012). Victorians in the Mountains: Sinking the Sublime by Ann C. Colley. Studies in Travel Writing 16(1): 81-82.
Chapter in book
- Garrington, Abbie (2020). 'The gear of their mystery': Twentieth-Century Mountain Poetry and the Politics of Breath. In The Life of Breath, Classical to Contemporary: Literature, Culture, and Medicine. Saunders, Corinne, Fuller, David & Macnaughton, Jane Palgrave Macmillan.
- Garrington, Abbie (2019). Black, White, and Read All Over: Mines, Mountains, and the Paysage Moralise of the British Press, 1900-1920. In The Unapparent Future: British Literature in Transition, vol. I: 1900-1920. Purdon, James Cambridge University Press.
- Garrington, Abbie (2016). Early Auden. In Oxford Handbooks Online: Scholarly Research Reviews. Oxford University Press.
- Garrington, Abbie (2015). The Line that Binds: Climbing Narratives, Ropework and Epistolary Practice. In Modernism and Affect. Taylor, Julie Edinburgh: Edinburgh University Press. 75-93.
- Garrington, Abbie (2016). 'Write me a little letter': The George Mallory/Marjorie Holmes Correspondence. Alpine Journal 120: 123-133.
- Garrington, Abbie (2013). What Does a Modernist Mountain Mean? Auden and Isherwood's The Ascent of F6. Critical Quarterly 55(2): 26-49.
- Garrington, Abbie (2010). Touching Texts: The Haptic Sense in Modernist Literature. Literature Compass 7(9): 810-823.
- Garrington, Abbie (2008). Counter Discourse: Advertising Technologies and Textual Impact. The Space Between: Literature and Culture, 1914-1945 4(1): 83-100.
- Garrington, Abbie (2008). Reflections on a Cinematic Story. Journal of the Short Story in English 50: 217-225.
- Garrington, Abbie (2008). Touching Dorothy Richardson: Approaching Pilgrimage as a Haptic Text. Pilgrimages: The Journal of Dorothy Richardson Studies 1(1): 74-96.