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Department of English Studies

Horace Walpole and His Legacies: Tercentenary Lectures

Horace Walpole (1717-1797) was a man of remarkably diverse talents: novelist, art historian, dramatist, designer, collector, man of letters, and politician.

Today he is most famous for writing the first novel to call itself 'A Gothic Story', The Castle of Otranto, and for creating the neo-Gothic Strawberry Hill house in London. However, Walpole’s legacy can be traced across many fields that give a flavour of the culture and politics of the eighteenth century. Join us at this series of free public lectures to discover more; participate online by tweeting #WalpoleLegacies.

All lectures are on Tuesdays, 18.15–19.15, in Elvet Riverside Room 141. There is no need to book. The convenor is Professor Fiona Robertson.

Next Lecture

Walpole, Burney, and the Tragedy of Incest

21st November 2017, 18:15 to 19:15, Elvet Riverside 141, Gillian Skinner (Durham University)

Find out how Horace Walpole's 'truly dreadful' drama inspired the work of the later writer, Frances Burney, at this free public lecture in our Walpole and His Legacies series. Join the conversation via #WalpoleLegacies.

When Frances Burney spotted Walpole’s Mysterious Mother among the Queen’s books in November 1786, she was delighted to be allowed to borrow it: ‘I had long desired to read it, from so well knowing, & so much liking the Author’ (The Court Journals and Letters of Frances Burney, Vol. 1: 1786). Having read it aloud, with a group of fellow courtiers, she professed herself disgusted, however: ‘Dreadful was the whole! truly dreadful! a story of so much horror, from attrocious and voluntary guilt, never did I hear!’ (CJL, 270). Yet despite her protestations, incest casts its shadow over Burney’s own works, and is key in the plot of her own first tragedy, Edwy and Elgiva. This lecture will explore Walpole’s and Burney’s differing approaches to this recurrent theme in eighteenth-century drama, suggesting its importance for the period’s shifting understanding of the purpose and impact of tragedy as a genre.

Image credit: Fanny Burney, by Edward Francisco Burney. National Portrait Gallery 2634. Reproduced under CC BY NC ND licence.

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