Inventions of the Text Seminar Series
Inventions of the Text complements our Research Seminar series. Inventions is organised by a team of postgraduate researchers, and combines papers by academics from Durham and beyond with presentations by PhD students. Seminars run roughly every couple of weeks during term time, with around eight or nine events a year. After each seminar, attendees are welcome to socialise with the speaker(s) over dinner. They are generally for University staff and students, although sometimes open to the public.
Forthcoming Inventions of the Text Seminars
The Anthropocene Unconscious of African Second Contact Narratives: District 9, Rosewater, Lagoon
An Inventions of the Text seminar.
This paper explores the ways in which three narratives of first contact with aliens in the postcolony not only look back to the colonial encounter but also mediate an already unfolding future of catastrophic climate change and global extinctions. Neil Blomkamp’s film District 9 (2009), set thirty years after a million alien refugees arrived in apartheid Johannesburg, offers no alternate history to take us from 1982 to this very near future. Stalled by an imaginative failure that coincides with the neoliberal mantra that there can be no alternative, it projects a future of refugees, forced relocations and camps where, according to Giorgio Agamben, the ‘state of exception starts to become the rule’. Tade Thompson’s Rosewater (2016) interweaves a future present with a past that is also in our future, as a weird alien intrusion figures the radical rupture that might terminate the Anthropocene. Nnedi Okorafor’s Lagoon (2014) is similarly stalled, paused on the cusp of a world-historical rupture, in the quiet before the storm of global transformation, but nonetheless proposes, like Donna Haraway, that we need to stay with the trouble and make kin with non-human others.
About the Speaker
Dr Bould is a Reader in Film and Literature in the Department of Arts at the University of the West of England, as well as the co-editor of the series Studies in Global Science Fiction (Palgrave Macmillan) and the journal Science Fiction Film and Television. In addition, he is the author of several books on science fiction and cinema. Last year, he won the 2016 SFRA Pilgrim Lifetime Achievement Award for Critical Contributions to the Study of Science Fiction and Fantasy. His research spans science fiction film, literature and television as well as film noir and neo-noir, afrofuturism, African speculative fiction, political cinema and Marxism – all of which makes him an ideal speaker for our theme of interdisciplinarity!
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