Inventions of the Text Seminar Series
Inventions of the Text complements our Research Seminar series. Inventions is organised by a team of postgraduate researchers, and combines papers by academics from Durham and beyond with presentations by PhD students. Seminars run roughly every couple of weeks during term time, with around eight or nine events a year. After each seminar, attendees are welcome to socialise with the speaker(s) over dinner. They are generally for University staff and students, although sometimes open to the public.
Forthcoming Inventions of the Text Seminars
Literature and the Book Trade
A significant feature of the Romantic book world is the ‘prospectus’, a type of printed flyer (typically between one and four pages long) used to announce a projected book, series, journal or newspaper. Associated particularly with subscription publishing and with expensive, large-scale ventures such as encyclopaedias and other multi-volume series, the genre acquired new visibility in this period as the publishing industry expanded, periodicals proliferated, and pre-selling techniques became more common. In the revolutionary 1790s, prospectuses took on an increasingly polemical tone, often becoming a form of pamphlet or manifesto, as in Coleridge’s ‘flaming Prospectus’ to The Watchman and the much-cited Prospectus to The Anti-Jacobin, while also heralding an ever-widening range of publications (and lecture series) across literature, science and other fields. At once preview and overview, foretaste and rationale, the prospectus shares with other paratextual devices like the ‘preface’ an anticipatory and explanatory function, but differs in its more speculative emphasis, since the announced work may not (and often did not) appear, its realisation being dependent in part on the response of prospective readers/investors to the announcement itself. The incorporation of the prospectus into the metalanguage and generic repertoire of literary Romanticism, most famously in Wordsworth’s description of a seminal passage from his unfinished philosophical poem The Recluse as ‘a kind of Prospectus of the design and scope of the whole poem’, thus raises a number of interesting questions. On the one hand, it epitomises the provisional, preparatory quality of Romantic writing, interpretable positively in terms of a Schlegelian poetics of the fragment or sketch (and as an especially confident form of theoretical self-reflection), or negatively along the lines of Peacock’s Paper Money Lyrics, which satirise contemporary poetry, with its over-ambition and dismal record of completion, as a series of worthless promissory notes. On the other hand, it offers further evidence of what Andrew Piper calls the Romantic ‘bibliographic imagination’, the saturation of Romantic aesthetic discourse in the language and logic of book-making, notwithstanding writers’ problematic relationship to publishers and deep- seated mistrust of the reading public. My paper will explore these questions, charting the development of the genre and term, and treating a wide range of prospectuses and prospectus-like writings from the period 1770 to 1820.
Contact firstname.lastname@example.org for more information about this event.