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Durham University

Department of English Studies

Event Archive

This is an archive of past events within the Department of English Studies. Please see our current events for forthcoming activities.

Some of our public events are recorded and are available as podcasts via our Research English At Durham blog.

Sacred Monster: The Gothic Theology of Frankenstein

21st September 2016, 17:30 to 18:30, Alington House, Jon Greenaway (Manchester Centre for Gothic Studies)

Part of our Late Summer Lectures series, showcasing cutting edge research from new scholars. Free and open to all, especially members of the public. Join the conversation on Twitter via #LateSummerLectures.

Mary Shelley’s Frankenstein (1818) has become deeply embedded in the textual canon of the Gothic, yet for a text that deals so closely with the ‘theological consequences of creation’ (as Mark Knight puts it), criticism on the theological elements of the text is distinctly lacking. Criticism generally falls into two separate spheres — the assessment of the creature in a social or political context or, alternatively, the creature as an embodiment of concerns around gender or the body. The aim for this lecture will be to argue for the necessity and primacy of a theological understanding of Shelley’s text. Through a theologically inflected reading of the novel, the link between ontological status, morality and aesthetics can be decentred and the vital role of community and mutual recognition in the formation of subjectivity re-emphasized. Shelley’s representation of Victor Frankenstein and his creature serves to present a supremely practical theology of person-hood and Being, and shows that, for all of the Romantic era interest in the transcendent and poetic potential of creativity, that alone will have disastrous consequences. In short, whilst the Romantics may have co-opted Milton they fatally misunderstood the vision of creativity he espoused. In the run up to the bicentenary of its writing at the Villa Diodati Frankenstein and thus the Gothic novel more generally can and must be rethought as not just a means of provoking horror or ‘the trash of the circulating libraries’ but as theological significant writing. Thus, the Gothic novel will be re-triangulated as a vital form of theologically influenced writing that provides an engagement with Christian thought that Romanticism itself cannot ultimately provide.

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