Dr James Smith
Most recently, my research has been interested in questions concerning state surveillance, censorship, and subsidy of literature and culture. My most recent book, British Writers and MI5 Surveillance, 1930-1960, looked at the MI5 records held on key figures such as Auden, Spender, Koestler, Orwell, and others, and tried to show how many of these authors were not passive victims of the secret state but also conscious movers within it. (Here are some of the reviews freely available online: Guardian, New Statesman, TLS, Lobster, Northern Review of Books, and the THES).
I have also published shorter pieces in this area, such as on governmental involvement in film and theatre censorship, security monitoring of radical literary magazines, and (with David Bradshaw) the collaboration between Ezra Pound and the fascist propagandist James Strachey Barnes. This research feeds into the design of my undergraduate module, 'Modern Literature and the British Secret State', and I would be particularly interested in hearing from prospective postgraduate students wanting to develop research projects in this field.
I also teach and research in the field of modern drama, offering a MA module on post-war British drama and having edited (with Richard Fotheringham) a collection of essays on contemporary Australian theatre which has just been published. Finally, I have interests in critical theory, with my first book on Terry Eagleton published in 2008 (the full text of a review can be found here).
- Smith, James (2013). British Writers and MI5 Surveillance, 1930-1960. Cambridge: Cambridge University Press.
- Smith, James (2008). Terry Eagleton. Polity.
- Fotheringham, Richard & Smith, James (2013). Catching Australian Theatre in the 2000s. Australian Playwrights. Rodopi.
Essays in edited volumes
- Smith, James (2013). 'Soviet Films and British intelligence in the 1930s: The Case of Kino Films and MI5'. In Russia in Britain, 1880-1940: From Melodrama to Modernism. Beasley, Rebecca & Bullock, Phillip. Oxford University Press. 241-257.
- Smith, James (2010). ‘The British “Information Research Department” and Cold War Propaganda Publishing’. In Pressing the Fight: Print, Propaganda, and the Cold War. Barnhisel, Gregory & Turner, Catherine (eds), University of Massachusetts Press. 112-125.
Journal papers: academic
- Smith, James (Forthcoming). “'How Safe Do You Feel?': James Bond, Skyfall and the Politics of the Secret Agent in an Age of Ubiquitous Threat”. College Literature
- Smith, J. (2015). 'The MacDonald Discussion Group: A Communist Conspiracy in Britain’s Cold War Film and Theatre Industry—Or MI5’s Honey-Pot?'. Historical Journal of Film, Radio and Television 35(3): 454-472.
- Bradshaw, David & Smith, James (2013). 'Ezra Pound, James Strachey Barnes (`The Italian Lord Haw-Haw’) and Italian Fascism'. Review of English Studies 64(266): 672-693.
- Smith, James (2010). 'The Radical Literary Magazine of the 1930s and British Government Surveillance: the Case of Storm Magazine'. Literature & History 19(2): 69-86.
- (2006). 'Brecht, the Berliner Ensemble, and the British Government'. New Theatre Quarterly 22(04): 307-323.