Staff in the Department of French
Professor Richard Scholar, MA, DPhil Oxon
(email at email@example.com)
My research interests lie in French language and literature, broadly conceived, with a particular emphasis on early modern studies, comparative literature, translation and transcultural studies, word histories, and questions of critical method.
I am the author of The Je-Ne-Sais-Quoi in Early Modern Europe: Encounters with a Certain Something (2005) and Montaigne and the Art of Free-Thinking (2010; 2017). Both books have been translated into French. Other publications include Thinking with Shakespeare: Comparative and Interdisciplinary Essays (2007), Fiction and the Frontiers of Knowledge in Europe, 1500–1800 (2010), and Caribbean Globalizations, 1492 to the Present Day (2015).
At the heart of my current research are two projects.
The first examines the uses of untranslated French words in English and explores, from this perspective, the wider implications of a fertile but fraught cultural relationship. Arising from the project is a book, Émigrés: French Words That Turned English, which I plan to publish in the coming year.
The second project brings into dialogue early modern and modern French, Italian, and English texts in a major re-evaluation of the vernacular afterlives of Thomas More’s Utopia. This is the subject of a book, entitled The Invention of Utopia, on which I have been working for some years.
Both of these pieces of individual research are related to the ongoing work of broader collaborative projects in which I am involved. I co-direct an international research group, Early Modern Keywords, whose aim is to compile a new vocabulary of early modern European culture and society in a multilingual and interdisciplinary perspective. I am also an active member of Storming Utopia. The project has so far seen an intergenerational group performing an ‘tempestuous experiment in practical utopianism’ in several ways: making a new piece of theatre that draws on More’s Utopia, Shakespeare’s Tempest, and Montaigne’s essay ‘On Cannibals’; performing the show in Oxford and Venice; and running events enabling members of the public to engage in the questions of research and creative practice that lie at the heart of the project. I previously directed a major collaborative project exploring evolutions of Caribbean cultural identity in the long age of globalization.
Co-director of Early Modern Keywords with Ita Mac Carthy (Durham). This international research project aims to do for early European modernity what Raymond Williams did for British modernity in Keywords (1976). Our work, unlike his, involves taking a multilingual approach and reflecting on questions of method. The project thus offers a unique interdisciplinary interface for language-based research in intellectual, cultural, and social history, the history of art, linguistic and literary studies, and politics. Having published Renaissance Keywords, ed. Ita Mac Carthy (Legenda, 2013), we have held meetings at the University of Oxford (2014) and the Fondazione Cini in Venice (2016 and 2018).
Member of CEIPPREM (Centre d’études interdisciplinaires sur Pascal, Port-Royal, et l’Europe moderne) led by Alain Cantillon (Université de Paris-III Sorbonne Nouvelle) (since 2018).
Founder of The Oxford-Venice Initiative, a series of collaborations between the Fondazione Giorgio Cini (Venice) and the University of Oxford’s Humanities Division (2014–18).
Member of the ANR-funded AGÔN research project led by Alexis Tadié (Université de Paris-IV Sorbonne) and Prof. Alain Viala (University of Oxford and Université de Paris-III Sorbonne Nouvelle), investigating cases, quarrels, and controversies in early modern France and England (2010–15).
Visiting Fellow, Theorizing Early Modern Studies Collaborative, University of Minnesota (2007).
Member of the interdisciplinary international early modern research group Les Frontières de la modernité (2003–7).
I have supervised PhD students working on a range of topics, including French studies, comparative literature, word histories, and intellectual history. I would welcome enquiries from students who wish to pursue PhDs in these fields and all others related to my research interests.
I was appointed Professor of French in January 2019. I moved to Durham to take up the Chair created, along with two Associate Professorships in French, by way of succession to Lucille Cairns and John O’Brien. I had spent the previous thirteen years at Oxford, as Fellow and Tutor in French at Oriel College, and as (first) University Lecturer in French and (latterly) Professor of French and Comparative Literature.
While at Oxford, I served as the University’s Humanities Division Knowledge Exchange and Public Engagement Lead, developing partnerships with non-academic institutions in and beyond the UK. I also served a term as Oriel’s Senior Tutor.
I am a former Editor of Early Modern French Studies, the journal of the UK Society for Early Modern French Studies, on whose Executive Committee I sit. I am a Member of the Jury du Prix XVIIe siècle (on behalf of La Société d’Étude du XVIIe siècle, France) and of the Editorial Board for the French Renaissance Texts in Translation (FRTT) series published by AMS Press (New York). I am a Literary Theory Consultant for the Oxford English Dictionary.
I am the recipient of a Philip Leverhulme Prize and a Chevalier of the Ordre des Palmes Académiques. I have held visiting research positions at national and international universities.
- French language and literature
- Early modern studies
- Comparative literature
- Translation and transcultural studies
- Word histories
- Critical methodologies
- 2017 Montaigne and the Art of Free-Thinking, Peter Lang Oxford, 233 pp.
- 2010 Montaigne and the Art of Free-Thinking, Peter Lang Oxford, 229 pp.
- 2005 The 'Je-Ne-Sais-Quoi' in Early Modern Europe: Encounters with a Certain Something, Oxford University Press, 350 pp.
Chapter in book
- 2017 'Montaigne on Free-Thinking', in Desan, Philippe (ed.), The Oxford Handbook of Montaigne, Oxford University Press, pp. 434-452
- 2015 'The Archipelago Goes Global: Late Glissant and the Early Modern Isolario', in Sansavior, Eva & Scholar, Richard (eds.), Caribbean Globalizations, 1492 to the Present Day, Liverpool University Press, pp. 33-57
- 2016 (co-edited with Kenny, Neil & Williams, Wes) Montaigne in Transit: Essays in Honour of Ian Maclean, Legenda, 282 pp.
- 2015 (co-edited with Sansavior, Eva) Caribbean Globalizations, 1492 to the Present Day, Liverpool University Press, 281 pp.
- 2010 (co-edited with Tadié, Alexis) Fiction and the Frontiers of Knowledge in Europe, 1500-1800, Ashgate, 159 pp.
- 2009 (co-edited with Holland, Anna) Pre-Histories and Afterlives: Studies in Critical Method, Legenda, 162 pp.
- 2016 'Montaigne et la “vanité” des utopies', Revue de synthèse 137, pp. 321-343
- 2013 'De la dispute utopienne à la controverse religieuse: deux querelles signées Thomas More', Littératures classiques 81, pp. 37-49
- 2013 'Epilogue: Co-operations', Seventeenth-Century French Studies 35, pp. 179-86
- 2006 'Two Cheers for Free-Thinking', Paragraph 29, pp. 40-53
- 2003 '"Je Ne Sais Quelle Grâce": Esther before Assuérus', French Studies 56, pp. 317-27
- 1998 'Strange Case of Dr Jekyll and Mr Hyde: A Case-Study in Translation?', Translation and Literature 7, pp. 42-55
- 2003 (co-authored with Pascal, Blaise) (orig.) Entretien avec Sacy sur la philosophie: extrait des Mémoires de Fontaine . Actes Sud
- 2006 (co-authored with Pigeard de Gurbert, Guillaume) (trans.). Carroll, Lewis, Alice au jardin d’enfants . Hachette Jeunesse
- 1998 (co-authored with O'Brien, Fitz-James & Pigeard de Gurbert, Guilluame) (trans.). Qu’était-ce ? . Actes Sud
- 1997 (co-authored with Pigeard de Gurbert, Guillaume) (trans.). Stevenson, Robert Louis, L’Étrange Affaire du Dr Jekyll et de Mr Hyde . Actes Sud