Welcome to the Institute of Advanced Study
Transforming The Way We Think
The Institute of Advanced Study is a prestigious, ideas-based Institute with global reach. We bring together world-leading researchers from all disciplines to work with Durham colleagues on collaborative projects of major intellectual, scientific, political and practical significance. At least twenty visiting IAS Fellows join us in Durham each year to work with Durham scholars to spark new investigations, set tomorrow's agenda and participate in a varied programme of activities.
Each year, the IAS supports four ambitious interdisciplinary projects tackling major research questions. Leading researchers from around the globe join Durham colleagues in collaborative teams to develop ground-breaking ideas, explore interdisciplinary synergies and develop new programmes of research.
The Institute also serves as a top-level forum, enabling key-decision makers and experts to discuss pressing policy problems in an intellectually stimulating and unrestricted manner. We put on a wide range of public lectures and other events. There are also opportunities for postgraduates and other early career researchers to get involved.
The IAS aims to build research capacity, realise potential, and meet the challenges of a changing world. There are many ways to participate in the life and work of the institute. We warmly welcome your involvement.
IAS Fellow's Seminar - The Persistence of Myth and Ritual in the Modern Age
In this seminar, Professor Tiziana de Rogatis will articulate three times of the persistence of myth and ritual in modern and contemporary culture.
The first time is related to the modernism of the Anglophone area and its creative experimentation between the 1920s and 1940s. Modernists - in particular T. S. Eliot, James Joyce and Ezra Pound - use myth as a structure that can contain ‘the immense panorama of futility and anarchy’ of the contemporary world (T. S. Eliot).
The second time is related to a criticism of myth, articulated in 1957 by Roland Barthes in Mythologies. According to Barthes, the reuse of myth emerges in mass society and aesthetics as a visual structure that isolates and delivers the lived experience from which abstract and conventional narrative is derived.
The third time, finally, raises myth - as the Eliotian and modernist tradition already did - as a structure of containment and experimentation of subjectivity but from the gendered perspective of women writers. Many important women writers of the modern and the contemporary age, from Edith Wharton to Christa Wolf, from Toni Morrison to Elena Ferrante, use myth and ritual as a structure that contains and at the same time enhances the psychological and social precariousness of women. Myth grammaticalizes both the peculiarity and the universality of these creative experiments because it provides a shared and freely re-invented repertoire of themes and forms through which women writers encode a new symbolic order.
Places are limited at these lunchtime seminars and so any academic colleagues interested in attending, should contact the Institute in advance to reserve a place.
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