Staff profile

Research Groups

• World Cinema and Cosmopolitics 

• Critical Theory (Bakhtin, Formalism, Shpet's Circle)
• Russian, Georgian and Eastern European cinemas
• Transnationalism and Nationalities studies

• 2024: 可见之物的规则变迁：谢尔盖·爱森斯 坦《战舰波将金号》的生成: A Chinese translation of the article "The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s The Battleship Potemkin" has been published in the journal World Cinema (世界电影), 2024, Vol. 5, 51-66.

Authored book

• Rani Bahtin
  
  Radunović, D. (2012). Rani Bahtin. Službeni glasnik.

Book review

• Towards a Theory of Montage. Sergei Eisenstein Selected Works. Volume 2.
  
  Radunović, D. (2016). Towards a Theory of Montage. Sergei Eisenstein Selected Works. Volume 2. Slavic and East European Journal, 60.1.
• Cinema in Central Asia: Rewriting Cultural Histories
  
  Radunović, D. (2014). Cinema in Central Asia: Rewriting Cultural Histories. Slavonica, 20.2, 75-77.
• Terror and Joy. The Films of Dušan Makavejev
  
  Radunović, D. (2010). Terror and Joy. The Films of Dušan Makavejev. Slavic and East European Journal, 54(4), 722-724.
• Soviet Mainstream Cinematography: The Silent Era
  
  Radunović, D. (2010). Soviet Mainstream Cinematography: The Silent Era. Slavic and East European Journal, 54.2, 387-389.

Chapter in book

• Nativism, the Avant-Garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso
  
  Radunović, D. (2024). Nativism, the Avant-Garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso. In H. Gerritsen & I. Schulzki (Eds.), Decolonising the (Post-)Soviet Screen (pp. 48-73). Apparatus Press.
• Where the Nation Ends: Transnationalism and Affective Space in Post-Soviet Cinema
  
  Radunović, D. (2020). Where the Nation Ends: Transnationalism and Affective Space in Post-Soviet Cinema. In A. Byford, C. Doak, & S. Hutchings (Eds.), Transnational Russian Studies. (pp. 78-93). Liverpool University Press.
• The Battleship Potemkin
  
  Radunović, D. (2020). The Battleship Potemkin. In K. Gabbard (Ed.), Oxford Bibliographies in Cinema and Media Studies. Oxford University Press. https://doi.org/10.1093/obo/9780199791286-0332
• Incommensurable distance : Georgian cinema as a (trans)national cinema
  
  Radunović, D. (2014). Incommensurable distance : Georgian cinema as a (trans)national cinema. In S. Bahun & J. Haynes (Eds.), Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989 : re-visions. (pp. 49-73). Routledge.
• Estetska autonomija i društvena modernizacija u Rusiji u prvoj trećini dvadesetog veka: četiri refleksije o nasleđu ruskog formalizma [Aesthetic Autonomy and Social Modernization in Russia in the First Third of the Twentieth Century: Four Reflections on the Legacy of Russian Formalism]
  
  Radunović, D. (2014). Estetska autonomija i društvena modernizacija u Rusiji u prvoj trećini dvadesetog veka: četiri refleksije o nasleđu ruskog formalizma [Aesthetic Autonomy and Social Modernization in Russia in the First Third of the Twentieth Century: Four Reflections on the Legacy of Russian Formalism]. In D. Bošković (Ed.), Uskrsnuće književnosti: 100 godina ruskog formalizma [The Resurrection of Literature: 100 Years of Russian Formalism] (pp. 21-26). Filološko-umetnički fakultet Kragujevac [Faculty of Philology, Kragujevac, Serbia].
• "Introducing, Intervening, and Introspecting"
  
  Radunović, D., & Bahun, S. (2012). "Introducing, Intervening, and Introspecting". In Language, Ideology and the Human (pp. 1-13). Routledge.
• Dušan Makavejev
  
  Radunović, D. (2011). Dušan Makavejev. In A. Bingham (Ed.), Directory of world cinema : East Europe. (pp. 186-191). Intellect.
• Aleksandar Petrović
  
  Radunović, D. (2011). Aleksandar Petrović. In A. Bingham (Ed.), Directory of world cinema : East Europe. (pp. 182-186). Intellect.
• Semiotics in Voloshinov and Shpet.
  
  Radunović, D. (2009). Semiotics in Voloshinov and Shpet. In G. Tihanov (Ed.), Gustav Shpet’s Contribution to Philosophy and Cultural Theory. (pp. 207-218). Purdue University Press.

Edited book

• Language, Ideology, and the Human: New Interventions
  
  Radunović, D., & Bahun, S. (Eds.). (2012). Language, Ideology, and the Human: New Interventions. Routledge.

Journal Article

• Time Never Regained: Film, Memory and History in Mila Turajlić’s Labudović Reels
  
  Radunović, D. (2024). Time Never Regained: Film, Memory and History in Mila Turajlić’s Labudović Reels. Comparative Southeast European Studies, 72(2), 256-269. https://doi.org/10.1515/soeu-2024-0008
• Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso
  
  Radunović, D. (2024). Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 18. https://doi.org/10.17892/app.2024.00018.352
• Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of the Most Beautiful Country in the World
  
  Radunović, D. (2023). Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of the Most Beautiful Country in the World. Studies in Eastern European Cinema, 14(2), 121-136. https://doi.org/10.1080/2040350x.2021.2014091
• The Art of not Asking the Right Question
  
  Radunović, D. (2020). The Art of not Asking the Right Question. Kinokultura, Issue 67.
• Films and Facts, Georgian style: Levan Koghuashvili’s Gogita’s New Life
  
  Radunović, D. (2018). Films and Facts, Georgian style: Levan Koghuashvili’s Gogita’s New Life. Kinokultura, 62.
• The Emergence of Modern Scientific Communities in Late Imperial and Early Soviet Russia: The Case of the Moscow Linguistic Circle
  
  Radunović, D. (2017). The Emergence of Modern Scientific Communities in Late Imperial and Early Soviet Russia: The Case of the Moscow Linguistic Circle. Revue Des études Slaves., 88(1-2), 137-150.
• The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s "The Battleship Potemkin"
  
  Radunović, D. (2017). The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s "The Battleship Potemkin". Film History, 29(2), 66-90. https://doi.org/10.2979/filmhistory.29.2.03
• On “Secondary Aesthetics, Without Isolation”: Philosophical Origins of Bakhtin’s Theory of Form
  
  Radunović, D. (2015). On “Secondary Aesthetics, Without Isolation”: Philosophical Origins of Bakhtin’s Theory of Form. Slavic and East European Journal, 59(1), 1-22.
• Nietzsche and Russian Formalism: the Question of Epistemology
  
  Radunović, D. (2008). Nietzsche and Russian Formalism: the Question of Epistemology. Nasleđe, 5(10), 85-95.
• Bahtinov “lingvistički obrt”
  
  Radunović, D. (2004). Bahtinov “lingvistički obrt”. Nasleđe, 1(2), 39-53.
• Toward the Omniscient Maker of Tales: The Dynamics of the Self and the Whole in the Early Bakhtin's Thought
  
  Radunović, D. (2003). Toward the Omniscient Maker of Tales: The Dynamics of the Self and the Whole in the Early Bakhtin’s Thought. Studies in Slavic Cultures, 4, 9-19.
• Ka književnoj estetici Mihaila Bahtina (Mikhail Bakhtin’s Literary Aesthetics)
  
  Radunović, D. (2002). Ka književnoj estetici Mihaila Bahtina (Mikhail Bakhtin’s Literary Aesthetics). Treći Program Radio Beograda, 115-116, 395-402.
• Arhitektonika paradoksa: o poetici Džojsovog Ulisa (The Architectonics of Paradox: on the Poetics of James Joyce’s Ulysses)
  
  Radunović, D. (2002). Arhitektonika paradoksa: o poetici Džojsovog Ulisa (The Architectonics of Paradox: on the Poetics of James Joyce’s Ulysses). Povelja, 1, 85-98.
• Bahtin, Derida, značenje: prilog za kritiku jezičkog znaka (Bakhtin and Derrida on Meaning: Contribution to the Critique of Linguistic Sign)
  
  Radunović, D. (2001). Bahtin, Derida, značenje: prilog za kritiku jezičkog znaka (Bakhtin and Derrida on Meaning: Contribution to the Critique of Linguistic Sign). Stanje Stvari, 4, 11-18.

Scholarly Edition

• Mihail Bahtin. Ka filosofiji postupka.
  
  Radunović, D. (2010). Mihail Bahtin. Ka filosofiji postupka.
• Mikhail Bakhtin. Rani spisi
  
  Radunović, D. (2010). Mikhail Bakhtin. Rani spisi.