British music and music criticism of the Victorian and Edwardian periods; hymnology.
Computational musicology; history and analysis of electronic music.
The psychology of musical listening; music and emotion.
The nineteenth-century symphony; the nineteenth-century piano concerto; the music of Anton Bruckner.
Popular music and performance analysis.
The history of electro-acoustic composition.
Adorno’s aesthetics of music; music and philosophy.
Issues of Renaissance Performance Practice.
Musical thought in nineteenth- and early twentieth-century Britain; music and theology; music and evolutionary thought.
Russian and Soviet music; the music of Nikolai Myaskovsky; twentieth-century Irish music.
Hindustani classical music; performance analysis; music and entrainment.
Indian music; performance analysis.
Korean sacred music; music and ritual; music and shamanism.
Theory and Analysis
Time and rhythm.
Theories of musical form; theories of nineteenth-century tonality; symphonic analysis.
Renaissance Performance Practice (c. 1450-1640).
Classical and contemporary performance practice.
Electronic music, live computer music, algorithmic composition.
Acoustic composition (vocal, ensemble & orchestral), Music Notation, Orchestration.