The list below shows Durham University research staff who are members of IMEMS. Click the member's name to see a more detailed biography and department.
We also welcome anyone from outside the University with an interest in our work to join. Membership is free of charge. You will receive invitations to our programme of events, with a weekly emails digest about what is happening in the Insitute and further afield. To join IMEMS contact: firstname.lastname@example.org
Dr Vladimir Brljak
I joined the Department in 2018, having previously studied at the Universities of Zagreb (BA) and Warwick (PhD), and held a research fellowship at the University of Cambridge (Thole Research Fellow, Trinity Hall). I am a recipient of the Review of English Studies Essay Prize (2015), and have been awarded fellowships by the Bodleian Library, Oxford, and the Huntington Library, San Marino, CA.
I work mainly on English literary and intellectual history, 1500-1700, with wider-ranging interests in the history of poetics and hermeneutics in the Western tradition.
My doctoral dissertation examined the place of the allegorical tradition in the literary and intellectual culture of late sixteenth- and seventeenth-century England, and I am now completing a monograph consolidating my research in this field, titled The Allegorical Heresy: Allegory and Modernity in English Literature and Poetics, 1500-1700.
I also continue to be involved in projects that look at allegory and related subjects across disciplinary and periodisational divides. I organized Allegory Studies? (Warwick, 2013); co-organized, with Karen Lang and Peter Mack, Rethinking Allegory (Warburg Institute, 2015); curated Personification and Allegory: Selves and Signs, an online colloquy for Arcade (2019); and am currently editing Allegory Studies: Contemporary Perspectives, a volume collecting new work on the subject across a range of disciplines and specializations in the humanities and social sciences (under contract with Routledge for publication in 2019-20).
A new long-term project deals with developments in English poetics and literary criticism c.1600-60. This period remains a neglected and misunderstood episode in the history of English poetic thought, typically presented as a fallow interlude between the waning age of Sidney and the dawning age of Dryden; my project seeks to reverse this long-standing trend and recover what is in fact a moment of exceptional interest in the history of the subject. Among the first fruits of this research will be editions of three unpublished texts from this period: an essay on The Causes and Obiects of Delectation by Kenelm Digby, and two literary-critical fictions—The Ball and The Court of Astraea with the Arraignement of Romances—by Philip Kinder.
Relating to this interest is Poetics before Modernity: a collaborative project aimed at rethinking the history of literary theory in the West from classical antiquity to the eighteenth century, which I convene with Micha Lazarus (English, Cambridge). The project's outputs have included an eponymous seminar series (Cambridge, 2016-17) and a conference (CRASSH, Dec 2017), and two publications co-edited with Dr Lazarus are currently in preparation: Poetics before Modernity: Literary Theory in the West from Antiquity to 1700 (Oxford University Press, forthcoming 2019-20), and Artes poeticae: Formations and Transformations, 1500-1700, special issue of Classical Receptions Journal (forthcoming, 2019-20).
Another major long-term interest is the work of John Milton. My current Miltonist book project is titled 'Paradise Lost' as Science Fiction: science fiction in the narrow sense, of a poem which has a lot to say about other worlds, space travel, and encounters with extraterrestrial beings, but also in a broader sense, of being an imaginative expression of a number of heterodox theological and philosophical views which Milton came to embrace by the 1650s, and which, among other sources, informed what he would have seen as his 'scientific' understanding of the world. What happens, this work asks, if instead of ignoring or allegorizing it, we take Milton's science fiction seriously, including its furthest and least explored reaches: its radically material universe; its heretical, anti-trinitarian deity; its metabolizing, warring, shape-shifting, deep-space-traveling angels; its theanthropomorphic humans; even its anti-allegories of Sin and Death and the Pavilion of Chaos, which have baffled readers for centuries, but also find a place in the poem's intricate design.
Chapter in book
- Brljak, Vladimir (Accepted). Inventing Renaissance Poetics: Modernity, Allegory, and the History of Literary Theory. In Beyond Aristotle's Poetics: New Directions in Early Modern Italian Literary Criticism. Brazeau, Bryan Bloomsbury.
- Brljak, Vladimir (2012). Allegorical Readings of Paradise Lost. In Milton through the Centuries. Ittzes, Gabor & Peti, Miklos Karoli Gaspar University of the Reformed Church in Hungary; L'Harmattan.
- Brljak, Vladimir (Accepted). Allegory Studies: Contemporary Perspectives. Routledge.
- Brljak, Vladimir & Lazarus, Micha (Accepted). Poetics before Modernity: Literary Theory in the West from Antiquity to 1700. Oxford University Press.
- Brljak, Vladimir & Lazarus, Micha (Accepted). Artes poeticae: Formations and Transformations, 1500-1700. Classical Receptions Journal.
- Brljak, Vladimir (2018). Hamlet and the Soul-Sleepers. Reformation and Renaissance Review 20(3): 187-208.
- Brljak, Vladimir (2017). The Age of Allegory. Studies in Philology 114(4): 697-719.
- Brljak, Vladimir (2015). Early Comments on Milton's Anti-Trinitarianism. Milton Quarterly 49(1): 44-50.
- Brljak, Vladimir (2015). The Satanic 'or': Milton and Protestant Anti-Allegorism. The Review of English Studies 66(275): 403-422.
- Brljak, Vladimir (2011). Borges and the North. Studies in Medievalism 20: 99-128.
Other (Digital/Visual Media)
- Brljak, Vladimir (2018). Personification and Allegory: Selves and Signs.
- Brljak, Vladimir (2018), Classical Myth in English Poetics after 1600, 8th Biennial Conference of the Society for Renaissance Studies. University of Sheffield.
- Brljak, Vladimir (2018), Dead Water in English Criticism: Tradition and Innovation from Bacon to Dryden, STVDIO. Centre for the Study of the Renaissance, University of Warwick.
- Brljak, Vladimir (2018), Inventing Renaissance Poetics: Modernity, Allegory, and the History of Literary Theory, Workshop in Poetics. Stanford University.
- Brljak, Vladimir (2018), Roundtable participant, 'What Now for Allegory Studies?', 64th Annual Meeting of the Renaissance Society of America. New Orleans.
- Brljak, Vladimir (2017), The Critical Fantasies of Philip Kinder, 63rd Annual Meeting of the Renaissance Society of America. Chicago.
- Brljak, Vladimir (2016), (Neo)allegory and (Anti)modernity, Redefining Allegory. Queen Mary University of London.
- Brljak, Vladimir (2016), Allegorical Poetics in England after 1600: Fishing in the Dead Water, Renaissance Graduate Seminar. Faculty of English, University of Cambridge.
- Brljak, Vladimir (2016), Hamlet in 1603 (series of three public lectures: 'Hamlet in Heaven', 'Hamlet in Purgatory', 'Hamlet in Hell'), Shakespeare Lives. Faculty of Humanities and Social Sciences, University of Zagreb.
- Brljak, Vladimir (2015), '[S]ome shadowe of satisfaction': Bacon's Poetics Revisited, 61st Annual Meeting of the Renaissance Society of America. Humboldt University, Berlin.
- Brljak, Vladimir (2014), '[T]he causes and obiects of delectation': An Unpublished Essay on Poetic Theory by Kenelm Digby, 6th Biennial Conference of the Society for Renaissance Studies. University of Southampton.
- Brljak, Vladimir (2014), Satan's Allegories and Milton's Epics, 60th Annual Meeting of the Renaissance Society of America. New York.
- Brljak, Vladimir (2013), Allegory and Modernity in English Poetics, c.1570-1630: Locations and Dislocations, Annual Meeting of the American Comparative Literature Association. University of Toronto.
- Brljak, Vladimir (2013), The Age of Allegory: A Medievalist Myth and Its Legacy, The Middle Ages in the Modern World. University of St Andrews.
- Brljak, Vladimir (2012), The Mouth of Hell: Hamlet, 1.5.2-91, Arts Faculty Seminar. University of Warwick.