Staff profile

My research interests lie in modern Latin American fiction and poetry, in particular the poetry and essays of the Venezuelan author Eugenio Montejo and the fiction of Julio Cortázar. I am also interested in heteronymic writing both in the Americas and Europe.

I have published two books. My first book, Poetry and Loss: The Work of Eugenio Montejo, was on the work of the Venezuelan poet and essayist Eugenio Montejo. My study highlights Montejo's search for an authentic poetic locus which is subject neither to the effects of time nor to the alienation from nature of the late twentieth century. In particular, I examine how Montejo's work serves to construct a poetic symbology which might ground such a locus.

My second book, entitled Cortázar and Music, was published at the end of 2019. In this study, I detail the often shifting terms in which the Argentine author Julio Cortázar addresses different musical genres in his fiction and wider writings, examining how classical music, tango, and jazz work alongside and contribute to Cortázar's broader ontological and linguistic concerns. 

Beyond these projects I am also working on the phenomenon of heteronymic writing, most notably through the work of Eugenio Montejo, but also considering cases such as those of Antonio Machado, Álvaro Mutis, and Fernando Pessoa. My aim is to analyse the theoretical, historical, and cultural underpinnings and ramifications of this literary genre as found in the literary production of Montejo in particular. In this project I am working collaboratively with colleagues at the Universidad de Los Andes, Bogotá.

I am happy to supervise PhDs on a wide range of Latin American literature, both poetry and fiction.

• Modern Latin American fiction and poetry
• Eugenio Montejo
• The literary engagement with music in Latin America
• Julio Cortázar
• Heteronymic writing in Latin America and beyond

Authored book

• Roberts, N. (2019). Cortázar and Music. Legenda
• Roberts, N. (2009). Poetry and Loss: The Work of Eugenio Montejo. Tamesis Books

Book review

• Roberts, N. (2012). City/Art: The Urban Scene in Latin America. Modern Language Review, 107(3), 957-959. https://doi.org/10.5699/modelangrevi.107.3.0957
• Roberts, N. (2011). Political Violence and the Construction of National Identity in Latin America. Ed. by Will Fowler and Peter Lambert. Basingstoke and New York: Palgrave Macmillan. 2006. 244 pp. £55. ISBN 978-1-4039-7388-7. Modern Language Review, 106(3), 892-894. https://doi.org/10.5699/modelangrevi.106.3.0892
• Roberts, N. (2011). Soledad Pérez-Abadín Barro, Cortázar y Che Guevara: lectura de ‘Reunión ’. Oxford/Bern/Berlin: Peter Lang. 2008. 178 pp. Bulletin of Spanish Studies, 88(4), 621-622. https://doi.org/10.1080/14753820.2011.583132
• Roberts, N. (2010). Rodney Williamson, The Writing in the Stars: A Jungian Reading of the Poetry of Octavio Paz. Bulletin of Spanish Studies, 87(4), 575-576. https://doi.org/10.1080/14753820.2010.483143
• Roberts, N. (2009). Pablo Neruda, Veinte poemas de amor y una canción desesperada. Edited, with an introduction, critical analysis, notes and vocabulary by Dominic Moran. Manchester/New York: Manchester University Press. 2007. xiv + 189 pp. Bulletin of Spanish Studies, 86(2), 288-289. https://doi.org/10.1080/14753820902784033

Chapter in book

• Roberts, N. (2016). When the Boat Comes In: Myth, Reification, and the Changing Face of Simón Bolívar in Venezuelan Politics and Culture. In M. G. Shanahan, & A. M. Reyes (Eds.), Simón Bolívar : travels and transformations of a cultural icon (215-229). University Press of Florida. https://doi.org/10.5744/florida/9780813062624.003.0013
• Roberts, N. (2011). Nieve natal : The poetic language of Eugenio Montejo. In A. Rodríguez Silva (Ed.), Orfeo revisitado : viaje a la poesía de Eugenio Montejo (129-160). Dirección General de Cultura y Extensión de la Universidad de Los Andes / Laboratorio Arte y Poética del Núcleo Universitario “Rafael Rangel”
• Roberts, N. (2004). Literary Betrayal: (De)voicing the marginal in Roberto Arlt's El juguete rabioso. In L. Orozco, & L. Vedrenne (Eds.), Marginalities (99-108). Durham Modern Languages Series

Journal Article

• Roberts, N. (2018). The Joyous Excess of Eugenio Montejo’s Heteronymy' / 'El exceso jubiloso de la heteronimia de Eugenio Montejo. Latin American literature today, 1(7),
• Roberts, N. (2018). Eugenio, desde el norte. Palimpsesto (Carmona),
• Roberts, N. (2017). ¿Quién es el autor?: Eugenio Montejo y las voces nodales de la escritura oblicua. Aleph (Universidad Nacional de Colombia. Manizales), VI(182), 22-36
• Roberts, N. (2013). Variations on a Theme: Scored Music and Language in Julio Cortázar's "Clone". Bulletin of Spanish Studies, 90(6), 1011-1034. https://doi.org/10.1080/14753820.2013.810920
• Roberts, N. (2013). From Gómez to Chávez and beyond: Reading the poetry of Leoncio Martínez in Venezuela
• Roberts, N. (2012). Spectres, Politics and Poetics: Hamlet in the Poetry of Eugenio Montejo. New readings, 12, 1-18
• Roberts, N. (2009). Subverted Claims: Cortázar, Artaud, and the Problematics of Jazz. Modern Language Review, 104(3), 730-745
• Roberts, N. (2007). Caballos y café: Poetic responses to time and death in the poetry of Eugenio Montejo. Bulletin of Spanish Studies, 84(8), 1043-1064. https://doi.org/10.1080/14753820701614613
• Roberts, N. (2006). De ruiseñor a cigarra: la poética venezolana de Eugenio Montejo. Aerea (Santiago), 9, 298-302
• Roberts, N. (2004). Inhabiting the Poetic in the Work of Eugenio Montejo. Romance Studies, 22(1), 51-62. https://doi.org/10.1179/ros.2004.22.1.51

Other (Digital/Visual Media)

• Roberts, N. (2021). El cuaderno de todo y de todos. [[Media unknown]]

Other (Print)

• Roberts, N. (2013). Eugenio Montejo