Dr Zoë Roth - all publications

Chapter in book

• Roth, Zoe (2017). Frontière humaine: Race, Nation, and the Shape of Representation in Claude Cahun. In Jewish Aspects in the Avant-Garde: Between Rebellion and Revelation. Gelber, Mark H. & Sjöberg, Sami Berlin: De Gruyter. 5: 119-140.
• Roth, Zoe (2016). Real and Ideal Spaces: Writing, embodiment, and the beach in contemporary French literature. In La Ligne d'écume: Towards a new topography of the French beach. Fuggle, Sophie Pavement Books. 177-192.
• Roth, Zoe (2012). The Death of Desire: The erotic extreme in Michel Houellebecq's Platforme. In The Contemporary Extreme [Autour De L'extreme Litteraire]. Williams, Russell & Hemmens, Alastair Newcastle: Cambridge Scholars Press. 112-123.

Edited Journal

• Bishop, Cécile & Roth, Zoë (2019). Race and the Aesthetic in French and Francophone Cultures. L’Esprit Créateur, 59 (2): Johns Hopkins University Press.

Journal Article

• Roth, Zoë (2019). “You can change your noses, but you can’t change your Moses” Olfactory Aesthetics and the Jewish “Race”. L'Esprit Créateur 59(2): 72-87.
• Bishop, Cécile & Roth, Zoë (2019). Introduction: Race and the Aesthetic in French and Francophone Cultures. L'Esprit Créateur 59(2): 1.
• Roth, Zoe (2017). War of Images or Images of War? Visualizing History in Jonathan Littell's The Kindly Ones. Journal of Modern Literature 41(1): 81-99.
• Roth, Zoe (2013). Vita brevis, ars longa: ekphrasis, the art object, and the consumption of the subject in Henry James and Michel Houellebecq. Word & Image 29(2): 139-156.
• Roth, Zoe (2012). Against Representation: Death, Desire, and Art in Philip Roth’s The Dying Animal. Philip Roth Studies 8(1): 95-100.
• Roth, Zoe (2011). Visions of Death and Desire: Exploring embodied ethics in Angela Carter's The Bloody Chamber. Watermark Journal 5: 145-159.