Please ensure you check the module availability box for each module outline, as not all modules will run in each academic year. Each module description relates to the year indicated in the module availability box. Please be aware that modules may change from year to year, and may be amended to take account of, for example: changing staff expertise, disciplinary developments, the requirements of external bodies and partners, and student feedback.
Department: English Studies
Literary Masculinity at the Fin-de-Siecle
||Available in 2019/20
Excluded Combination of Modules
- to examine the different ways in which masculinity might be 'performed' in literature from the end of the nineteenth century to the beginning of the twentieth;
- to investigate the nature of the construction of such categories as 'masculine' and 'effeminate', focusing particularly on the association of the former with imperialism, violence and sport, and the latter with high culture;
- Britain in the 1890s contained, for instance, both Oscar Wilde and Rudyard Kipling, and the module will consider a range of texts from decadent poetry to adventure stories, alongside such historical and cultural themes as Empire, violence, pathology, homosexuality and sport. Other writers that might be considered include Edward Carpenter, Joseph Conrad, Robert Louis Stephenson, George Gissing, E M Forster, John Buchan and Sir Arthur Conan Doyle.
- Texts - and given the nature of this topic, fiction in particular - will be read from the point of view of how versions of masculinity are created textually. The role that literature has played in the history of English masculinity will also be investigated, such as the literary afterlife of Oscar Wilde, or the relationship between the creation of Imperial ideology and boys' stories. It is not necessarily intended to reach a consensus on the 'essential nature' of Late Victorian and Edwardian masculinity, but rather to plot the movements and strategies of this textual aspect of gender within the works and historical period examined
- to possess detailed knowledge of a literary topic across a fixed historical period;
- to assess and deploy a range of theoretical approaches to the study of gender;
- to synthesise a critical reading from non-fictional discourses both historical and theoretical alongside imaginative literature;
Modes of Teaching, Learning and Assessment and how these contribute to
the learning outcomes of the module
- Through a variety of teaching activities and approaches, seminars will facilitate the development of communication and critical skills. Sessions will introduce broad topics and genres, contexts and frameworks to aid conceptual understanding and specific texts for analysis as well as encourage individual interpretation and enquiry. Two summative assignments will assess the competencies and outcomes outlined above and foster advanced independent study.
- Typically, directed learning may include assigning student(s) an issue, theme or topic that can be independently or collectively explored within a framework and/or with additional materials provided by the tutor. This may function as preparatory work for presenting their ideas or findings (sometimes electronically) to their peers and tutor in the context of a seminar.
Teaching Methods and Contact Hours
|Independent student research supervised by the Module Convenor
|Preparation and Reading
||Component Weighting: 100%
||Length / duration
■ Attendance at all activities marked with this symbol will be monitored. Students who fail to attend these activities, or to complete the summative or formative assessment specified above, will be subject to the procedures defined in the University's General Regulation V, and may be required to leave the University
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