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Dr Barbara Ravelhofer - all publications

Books: authored

• Ravelhofer, Barbara. (2006). The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press.

Books: edited

• Grant, T. & Ravelhofer, B. (2007). English Historical Drama, 1500-1660: Forms Outside the Canon. Basingstoke: Palgrave.

Essays in edited volumes

• Ravelhofer, Barbara. (2012). 'Understanding Horses: Equestrian Ballet and Early Modern Political Thought.'. In Shakespeare. Satire. Academia. Essays in Honour of Wolfgang Weiss. Fielitz, Sonja. & Meyer, Uwe. Heidelberg: Universitätsverlag Winter. 101-122.
• Ravelhofer, B. (2012). Middleton and Dance. In The Oxford Handbook of Thomas Middleton. Taylor, Gary & Henley, Trish. Oxford: Oxford University Press. 130-147.
• Ravelhofer, B. (2011). 'Choreography as Commonplace'. In Commonplace Culture in Western Europe in the Early Modern Period I: Reformation, Counter-Reformation and Revolt. Cowling, D. & Bruun, M. Leuven: Peeters. 209-228.
• Ravelhofer, B. (2011). History and Story: Voivode Dracula in Fifteenth-Century German Manuscript, Print, and Oral Poetry. In English Language and Literature Studies: Image, Identity, Reality. Ed. Spremic, M. Belgrade: Faculty of Philology, University of Belgrade. 17-36.
• Ravelhofer, B. (2010). 'Ancient Greece, Dance, and the English Masque'. In The Ancient Dancer in the Modern World: Responses to Greek and Roman Dance. Ed. Macintosh, Fiona. Oxford: Oxford University Press. 211-223.
• Ravelhofer, B. (2010). 'Dance'. In Ben Jonson in Context. Ed. Sanders, J. Cambridge: Cambridge University Press. 171-180.
• Ravelhofer, B. (2007). 'English Masques'. In The Cambridge Companion to Ballet. Ed. Kant & Marion. Cambridge: Cambridge University Press. 32-41.
• Grant, T. & Ravelhofer, B. (2007). 'Introduction'. In English Historical Drama, 1500-1660: Forms Outside the Canon. Grant, T. & Ravelhofer, B. Basingstoke: Palgrave. 1-31.
• Ravelhofer, B. (2007). 'News Drama: The Tragic Subject of Charles I'. In English Historical Drama, 1500-1660: Forms Outside the Canon. Grant, T. & Ravelhofer, B. Basingstoke: Palgrave. 179-201.
• Ravelhofer, B. (2007). 'Queen Henrietta Maria's Dramatic Activities'. In Heroines of the Golden StAge: Women and Drama in Spain and England, 1500-1700. Ed. Walthaus, Rina & Corporaal, Marguérite. Kassel: Reichenberger. 129-142.
• Ravelhofer, B. (2005). 'Histrio and Historian: Imperial Symbolism in the Gedechtnus Works of Maximilian I'. In The Mediation of Symbol in Late Medieval and Early Modern Times - Medien der Symbolik in Spätmittelalter und Früher Neuzeit. R. Suntrup, J. Veenstra & A. Bollmann, eds. Frankfurt: Peter Lang. 257-273.
• Ravelhofer, B. (2005). 'Variatio alla turca: Byron's The Giaour'. In Varianten - Variants - Variantes. C. Jansohn & B. Plachta, eds. Tübingen: Niemeyer. 157-165.
• Ravelhofer, B. (2004). 'Dancing at the Court of Queen Elizabeth'. In Queen Elizabeth I: Past and Present. Jansohn, C., ed. Münster: LIT. 101-15.
• Ravelhofer, B. (2004). 'Stage Design as Multimedia Composition in Early Modern England'. In Multi-Media Compositions from the Middle Ages to the Early Modern Period. Hoogvliet, M., ed. Leuven: Peeters. 105-119.
• Ravelhofer, B. (2003). 'The Medium of Plagiarism: Rogue Choreographers in Early Modern London'. In Plagiarism in Early Modern England. Kewes, Paulina, ed. London: Palgrave Macmillan. 134-148.
• Ravelhofer, B. (1998). ''Virgin Wax' and 'Hairy Men-Monsters': Unstable Movement Codes in the Stuart Masque'. In The Politics of the Stuart Court Masque. D. Bevington & P. Holbrook, eds. Cambridge: Cambridge UP. 244-272.

Journal papers: academic

• Ravelhofer, B. (2007). 'Burlesque Ballet, a Ballad and a Banquet in Ben Jonson’s The Gypsies Metamorphos’d (1621).'. Dance Research 25(2): 144-155.
• Ravelhofer, B. (2006). 'Non-Verbal Meaning in Caroline Private Theatre: William Cavendish's and James Shirley's The Varietie (c.1641)'. The Seventeenth Century. 21(2): 195-214.
• Ravelhofer, B. (2005). 'Oral Poetry and the Printing Press in Byron's The Giaour (1813)'. Romanticism. 11(1): 23-40.
• Ravelhofer, B. (2002). ‘“Beasts of Recreacion” Henslowe’s White Bears.’. English Literary Renaissance. 32(2): 287-323.
• Ravelhofer, B. (2002). ‘Virtual Theatres’. Jahrbuch für Computerphilologie 4: 133-50.
• Ravelhofer, B. (1999). 'Bureaucrats and Courtly Cross-Dressers in the Shrovetide Masque and The Shepherd's Paradise'. ELR 29(1): 75-96.
• Ravelhofer, B. (1997). 'Memorable Movements'. IASL 22(1): 1-18.

Scholarly Editions

• Ravelhofer, B. (ed.), & Montagut, B. (orig.) (2000). B. de Montagut: Louange de la danse . Cambridge: RTM
• Alexander, G. & Ravelhofer, B. (orig.) (1999). Nevitt's Memorial. An online edition . Cambridge: Faculty of English

Translated: Book

• Schlottermüller, U. (ed.), Ravelhofer, B. & Daniels, V. (trans.) (2000). Johann Georg Pasch: Anleitung sich bei grossen Herrn Höfen und andern beliebt zu machen . Freiburg: fa-gisis