Research

Research - Publications and fieldnotes

Recording Conservation Presentation to the public Interpretation Others

Recording - publications

Petroglyphs - Others

2006 -Díaz-Andreu, M., C. Brooke, M. Rainsbury & N. Rosser (forthcoming 2006) 'The Spiral that Vanished: The Application of Non-Contact Recording Techniques to an Elusive Rock Art Motif at Castlerigg Stone Circle in Cumbria', Journal of Archaeological Science (read)

2005 -Barnett, T., A. Chalmers, M. Díaz-Andreu, G. Ellis, P. Longhurst, K. Sharpe & I. Trinks (2005) '3D Laser Scanning For Recording and Monitoring Rock Art Erosion', International Newsletter on Rock Art (INORA) 41: 25-29. (read)

2005 - Díaz-Andreu, M., R. Hobbs, N. Rosser, K. Sharpe & I. Trinks (2005) 'Long Meg: Rock Art Recording Using 3D Laser Scanning', Past 50: 2-6.(read)

2005 - Trinks, I., M. Díaz-Andreu, R. Hobbs & K. Sharpe (2005) 'Digital rock art recording: visualising petroglyphs using 3D laser scanner data', Rock Art Research 22 (2): 131-9. (read)

2004 - Simpson, A., P. Clogg, M. Díaz-Andreu & B. Larkman (2004) 'Towards three-dimensional non-invasive recording of incised rock art', Antiquity 78: 692-8.

2001 - An experiment in rock art recording: rubbing and tracing rock art from the Derbyshire Peak District - Michael Rainsbury.

1999 - Digital Image Processing - recording a cup-and-ring motif in Weetwood (Northumberland), Elizabeth Donnan. Published in Tracce vol 11.

Pictographs

1999 - Digital Image Processing of rock art at the Selva Pascuala shelter (Spain) - Phil Clogg and Margarita Díaz-Andreu. Published in Tracce vol 11.

Petroglyphs and pictographs

2002 - Recording rock art - Libya. DIP and rock art photographed during the Prehistoric Society Trip to South West Libya - Michael Rainsbury. See also article in Past vol 43: pp. 5-8 (2003)

Conservation - Publications

2005 - Barnett, T. & M. Díaz-Andreu (2005) 'Knowledge capture and transfer in rock art studies: result of a questionnaire on rock art decay in Britain', Conservation and Management of Archaeological Sites 7: 35-48. (read)

Presentation - Publications

2004 - Díaz-Andreu, M. & K.E. Sharpe (2004) 'Education and rock art - the British experience', in U. Bertilsson & L. McDermott (eds.) The Valcamonica symposiums 2001 and 2002. Stockholm: National Heritage Board of Sweden, 114-120.

1998 - Virtual Walk in Northumberland rock art - Benjamin Jon Hathaway

Interpretation - Publications on landscape

2005 -Wintcher, Amanda R ( 2005) Rock Art and Landscape in the Piñon Canyon Maneuver Site, Southeast Colorado. In Making Marks: Graduate Studies in Rock Art Research at the New Millennium. Amercian Rock Art Research Association Occasional Paper No. 5, edited by J. Huang and E. Culley, pp. 163-182. American Rock Art Research Association, Tucson, Arizona.

2003 - Díaz-Andreu, M. (2003) 'Rock art and ritual landscape in Central Spain: the rock carvings of La Hinojosa (Cuenca)', Oxford Journal of Archaeology 59 (1): 35-51.

2003 - Jiménez Gadea, J., M. Díaz-Andreu & T. Pérez (2003) 'Los grabados medievales del Covacho de Las Pintas (Carrascosa de la Sierra, Cuenca)', in J.-R. González Pérez (ed.) Actes del I Congrés Internacional de Gravats Rupestres i Murals. Homenatge a Lluís Díez-Coronel (Lleida, 23-27 de novembre de 1992). Lérida: Instituto de Estudios Ilerdencs, 695-708.

2001 - Díaz-Andreu, M. (2001) 'An all-embracing universal hunter-gatherer religion? Discussing shamanism and Levantine rock-art', in H.-P. Francfort, R. Hamayon & (in collaboration with Paul Bahn) (eds.) The Concept Shamanism. Uses and abuses. Bibliotheca Shamanistica, vol. 10. Budapest: Akadémiai Kiadó, 117-134.

2001 - Díaz-Andreu, M. (2001b) 'Marking the landscape. Iberian post-paleolithic art, identities and the sacred', in G.H. Nash & C. Chippindale (eds.) European Landscapes of Rock-art. London: Routledge, 158-175.

2000 - Díaz-Andreu, M. (2000) 'La arqueología imperialista en España: extranjeros vs. españoles en el estudio del arte prehistórico de principios del siglo XX [Imperialist archaeology in Spain: foreigners vs. Spaniards in the study of prehistoric art at the beginning of the 20th century]', in Historia, Teoria e pratica da Arqueologia (Actas do 3o Congresso de Arqueologia Peninsular. Vol. I). Porto: Associação para o Desenvolvimento da Cooperação em Arqueologia Peninsular, Universidade do Porto, 367-382.

1998 - Díaz-Andreu, M. (1998) 'Iberian post-palaeolithic art and gender: discussing human representations in levantine art', Journal of Iberian Archaeology 0: 33-51.

1998 - Díaz-Andreu, M. & T. Tortosa (1998) 'Gender, Symbolism and Power in Iberian Societies', in P.P. Funari, M. Hall & S. Jones (eds.) Historical Archaeology. Back from the Edge. London: Routledge, 99-121.

Interpretation - Publications on landscape

2005 -Wintcher, Amanda R ( 2005) Rock Art and Landscape in the Piñon Canyon Maneuver Site, Southeast Colorado. In Making Marks: Graduate Studies in Rock Art Research at the New Millennium. Amercian Rock Art Research Association Occasional Paper No. 5, edited by J. Huang and E. Culley, pp. 163-182. American Rock Art Research Association, Tucson, Arizona. (read).

2003 - Díaz-Andreu, M. (2003) 'Rock art and ritual landscape in Central Spain: the rock carvings of La Hinojosa (Cuenca)', Oxford Journal of Archaeology 59 (1): 35-51.

Interpretation - Publications on identity (gender, religion, imperialism)

2003 - Díaz-Andreu, M. (2003) 'Rock art and ritual landscape in Central Spain: the rock carvings of La Hinojosa (Cuenca)', Oxford Journal of Archaeology 59 (1): 35-51.

1998 - Díaz-Andreu, M. (1998) 'Iberian post-palaeolithic art and gender: discussing human representations in levantine art', Journal of Iberian Archaeology 0: 33-51.

Others

2005: Sharpe, Kate. Follow the Sevilla Trail in the Cederberg Mountains of the Western Cape.
2003 - Rainsbury, M. (2003) 'Prehistoric Society tour to south west Libya. 14-21 October 2002', Past 43: 5-8.