Staff

Prof Peter Manning - all publications

Books: authored

• Manning PD (2013). Electronic and Computer Music: Fourth Edition. Oxford University Press.
• Manning PD (2004). Electronic and Computer Music. New York: Oxford University Press.

Books: sections

• Manning, PD (2012). 'La musique concrete et ses appareils'. In Pierre Schaeffer: Les constructions impatientes. Kaltenecker, M & Le Bail, K CNRS Editions. 140-151.
• Manning PD (2009). Sound Synthesis using Computers. In The Oxford Handbook of Computer Music. Dean R.T. New York: Oxford University Press. 85-108.
• Manning PD (2003). 'Electronic Perspectives'. In Hall, M. Between Two Worlds: The Music of David Lumsdaine. Tordmorden, Lancs: Arc Publications. 50-61.
• Manning PD (2001). 'Computers and Music'. In The New Grove II Dictionary of Music and Musicians. London: Macmillan. 202-18.
• Manning PD (2001). 'Retrospection and Forum'. In Palmer, J. Jonathan Harvey's Bhakti for Chamber Ensemble and Electronics. Lewiston: EM Press. 77: 143-170.
• Manning PD (1992). 'Towards a New Era in the Technology of Computer Music'. In Companion to Contemporary Musical Thought. London: Routledge. 355-373.

Journal papers: academic

• Manning PD (2012). The Oramics Machine: From Vision to Reality. Organised Sound 17(2): 137-147.
• Manning PD & Clarke M (2008). The Influence of Technology on the Composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment. Organised Sound 13(3): 177-187.
• Manning PD (2006). 'The Significance of Techné in Understanding the Art and Practice of Electroacoustic Composition'. Organised Sound 11(1): 81-90.
• Manning PD (2003). 'The Influence of Recording Technologies on the Early Development of Electroacoustic Music'. Leonardo Music Journal 13: 5-10.
• Manning PD (1999). 'Ownership and Control of the Creative Process in the Composition and Performance of Electroacoustic Music'. Leonardo Music Journal 9: 121-122.
• Manning PD (1999). 'The Evolution of Interactive Graphical Control Interfaces for Music Applications'. Organised Sound 4(1): 35-49.
• Itagaki T, Manning PD & Purvis A (1997). 'Distributed Parallel Processing: Lessons Learned from a 160-Transputer Network'. Computer Music Journal 21(4): 42-54.
• Bailey, NJ, Bowler, IW, Manning PD & Purvis, A (1993). 'Applications of the Phase Vocoder in the Control of Real-time Electronic Musical Instruments'. Interface 22: 259-275.

Compositions

• Manning PD (2009). 'Retrospection'. Durham. First performance March 2009. Duration: 14 minutes.
• Manning PD (2001). 'In Memoriam CPR'. BC SFU Concert Hall, 2001; Sonorities Festival, Belfast, 2001; Kitchener Festival, Ontario, 2001; Bourges 31st International Electroacoustic Music Festival, 2001; Music Without Walls Festival, Leicester, 2002; New Music Festival, Barcelona, 2005. N/A. First performance March 2001. Duration: 12 minutes.
• Manning PD (1995). 'By-law 2531, City of Vancouver'. Huddersfield Electric Spring Festival, 1995; University of Glasgow, 1996. First performance May 1995. Duration: 12 minutes.
• Manning PD (1995). 'The Ghost of Eriboll'. SFU Concert Hall, Vancouver, BC, 1995; University of Glasgow, 1995; Sonorities Festival, Belfast, 1996; ICMC Hong Kong, 1996; Bourges 27th International Electroacoustic Music Festival, 1997. First performance February 1995. Duration: 24 minutes.

Conference papers

• Manning, PD & Clarke, M (2009), 'Valuing our Heritage: Exploring Spatialisation Through Software Emulation of Stockhausen's Oktophonie', International Computer Music Conference (ICMC 2009). Montreal, Canada, International Computer Music Association, 179-182.

Edited works: conference proceedings

• Nunn, DJE, Manning PD & Purvis A (1996). 'Acoustic Quanta'. International Computer Music Conference, Hong Kong, Computer Music Association.
• Itagaki, T, Manning PD & Purvis A (1996). 'Real-time Granular Synthesis on a Distributed Muiti-processor Platform'. International Computer Music Conference, Hong Kong, Computer Music Association.
• Itagaki, T, Manning PD & Purvis A (1995). 'An Implementation of Real-time Granular Synthesis on a Multi-processor Network'. International Computer Music Conference, Banff, Computer Music Association.
• Nunn DJE, Purvis, A & Manning PD (1995). 'Graphical Display of Musical Information'. XI Colloquio di Informatica Musicale, Bologna.
• Itagaki, T, Purvis, A & Manning PD (1994). 'Real-time Synthesis on a Multi-processor Network'. Computer Music Conference, Aarhus, Computer Music Association.
• Bailey, NJ, Bowler, IW, Manning, PD & Purvis, A (1990). 'An Highly Parallel Architecture for Real-time Music Synthesis and Digital Signal Processing Applications'. International Computer Music Conference, Glasgow, Computer Music Association.