ELISABETH SCHELLEKENS

PUBLICATIONS

Authored Books

• Who’s Afraid of Conceptual Art? 2009. Co-authored with Goldie, P. Routledge.
• Aesthetics and Morality. 2007. Continuum.

Edited Volumes

• The Aesthetic Mind: Philosophy and Aesthetic Psychology. 2011. Co-edited with Goldie, P Oxford University Press.
• Philosophy and Conceptual Art. 2007. Co-edited with Goldie, P. Oxford University Press.

Articles and Book Chapters

• ‘Explanatory Dualism in Empirical Aesthetics: A New Reading’, Journal of Consciousness Studies, forthcoming 2012.
• ‘Taking the Moral Perspective: On Voyeurism in Art’. Art, Aesthetics and Pornography. Levinson, J. & Maes, H. (eds.). Oxford University Press. Forthcoming Winter 2011-12.
• ‘Kant: A Philosopher of Beauty’. Aesthetics: Key Thinkers in Aesthetics. Giovanelli, A. (ed.). Continuum. Forthcoming Winter 2011-12.
• ‘Experiencing the Aesthetic: Kantian Autonomy or Evolutionary Biology? The Aesthetic Mind: Philosophy and Psychology. Schellekens, E. & Goldie, P. (eds.). Oxford University Press. 2011.
• ‘The Metaphysics of Aesthetic Properties’. The Handbook of Aesthetics. Ribeiro, A. C. (ed.). Continuum. Forthcoming 2011.
• ‘Art, Emotion, Ethics: Conceptual Boundaries and Kinds of Value.’ Philosophical Books. 2009. Vol. 50, No 3, 158-171.
• ‘Taste and Objectivity: The Emergence of the Concept of the Aesthetic’. Philosophy Compass. 2009, Vol.4, August. http://www.blackwellcompass.com/subject/philosophy/section_home?section=phco-aesthetics
• ’Meta-Aesthetics: Realism, Objectivism, Cognitivism’. New Waves in Aesthetics and Value Theory. 2008. Stock, K. & Thomson-Jones, K. (eds.). Palgrave Macmillan. 170-187.
• ‘The Aesthetic Value of Ideas’. Philosophy and Conceptual Art. 2007. Goldie, P. & Schellekens, E. (eds.). Oxford University Press. 71-91.
• ‘Towards a Reasonable Objectivism for Aesthetic Judgements’. The British Journal of Aesthetics. 46:2, April 2006, 163-177.
• ‘The Philosophy of Conceptual Art’. Stanford Encyclopaedia of Philosophy. Zalta, E. N. (ed). http://plato.stanford.edu/entries/conceptual-art/. 2006.
• ‘Analytic Aesthetics’. Companion to Twentieth-Century Philosophies. Boundas, C. (ed.). Edinburgh: Edinburgh University Press. 2006. 338-350.
• ‘"Seeing is Believing" and "Believing is Seeing"’. Acta Analytica. 20:4, Oct. 2005, 10-23.

Review Articles

• On Art in Three Dimensions. Carroll, N. Oxford University Press 2011. In Philosophical Quarterly. Forthcoming 2012.
• On Contemplating Art: Essays in Aesthetics. Levinson, J. Oxford University Press. 2007. In Mind. April 2009, 118, 489-492.
• On The Objective Eye: Color, Form and Reality in the Theory of Art. Hyman, J. Chicago University Press. 2006. In Times Literary Supplement. September 2007, 27.
• On Kant’s Aesthetics: Core concepts and Problems. Wenzel, C. Blackwell. 2005. In Journal of Aesthetics and Art Criticism. 64:4, Autumn 2006, 483-485.
• On Aesthetics and Rock Art. Clegg, J. & Heyd, T. (eds.). Ashgate 2005. In Canadian Journal of Aesthetics. 12, Summer 2006.
• On The Reach of the Aesthetic: Collected Papers on Art and Nature. Hepburn, R. W. Ashgate 2001. In Journal of Applied Philosophy. 21:2, Summer 2004, 225-227.
• On Aesthetics and Subjectivity: From Kant to Nietzsche. 2nd ed. Bowie, A. Manchester University Press 2003. In British Journal of Aesthetics. 44:3, July 2004, 304-307.

Work in progress

Books

§ Aesthetic Objectivity: A Reasonable Defence. Manuscript in progress.

Articles and Book Chapters

§ ‘Aesthetic Displeasure and Artistic Experience: Feeling Bad about Good Art’. Currently under submission.

§ ‘Beauty and the Aesthetic: Which Comes First?’. Draft.

§ ‘Picking out Aesthetic Properties’. Draft.

RESEARCH GRANTS & AWARDS

§ Faculty Seedcorn funding (with Dr R. Skeates), 2010-2011.

§ Beacon Fellowship (with Dr A. J. Hamilton), 2008-2009.

§ AHRC Research Grant (with Prof. P. Goldie), 2004.

§ AHRC Innovation Award (with Prof. P. Goldie), 2003.

§ University of London Convocation Trust for Research Staff, 2004.

§ British Academy Overseas Conference Grant, 2004.

§ British Society of Aesthetics Graduate Conference Fund, 2002.

§ Susan Stebbing Bursary, King’s College London, 2001.

§ Richard Sorabji Bursary Fund, King’s College London, 2001.

§ Susan Stebbing Bursary, King’s College London, 2000.

ADDRESSES AND CONFERENCES

§ ‘Neuro-aesthetics and the Power of Art’ (panel), Crunch Art Festival, Hay-on Wye, November 2011.

§ ‘Artistic Value and Inversion: Some Comments for Robert Stecker’, American Society of Aesthetics Annual Meeting, Tampa (USA), October 2011.

§ ‘On Voyeurism in Art’, Institute of Philosophy, London, June 2011.

§ ‘Aesthetics and Archaeology: Ontological and Epistemological Problems’, Durham, June 2011.

§ ‘Conceptual Priority in Empirical Aesthetics’, Bloomington (USA), May 2011

§ ‘Beauty or the Aesthetic: Which Comes First?’, Leuven (Belgium), May 2011.

§ ‘Negative Emotions in Art’, University of Sussex, March 2011.

§ ‘Learning from Art: Defining Aesthetic Profundity in Cognitive Terms’, Institute of Cognitive Science, University of Osnabruck (Germany), February 2011.

§ ‘Beauty: What’s in a Name?’, American Society of Aesthetics Annual Meeting, Victoria (Canada), October 2010.

§ ‘Aesthetic Experience: Is there Such a Thing?’, Art and Aesthetic Experience, University of Frankfurt, June 2010.

§ ‘On Hating Good Art’, Nordic Society of Aesthetics Annual Conference, Trondheim (Norway), June 2009.

§ ‘Aesthetics, Morality and Pornography’, University of Canterbury at Kent, May 2009.

§ ‘Agent-relative and Agent-Neutral Reasons for Aesthetic Judgements’, Uppsala University (Sweden), May 2009.

§ ‘Aesthetic and Artistic Properties: A Discussion of Berys Gaut’s Art, Emotion and Ethics’, American Philosophical Association Pacific Division, Vancouver, April 2009.

§ ‘Negative Emotion in Aesthetic Experience’, University of Leuven, March 2009.

§ ‘Was Kant an Objectivist about Beauty?’, Annual Lecture Series on Kantian Philosophy, University of Padova (Italy), Nov. 2008.

§ ‘Moral Phenomenology’, Workshop, University of Durham, June 2008.

§ ‘Aesthetic Reasons: Sibley and his Legacy’, Forum for European Philosophy, London School of Economics, May 2008.

§ ‘Viewing Conceptual Art as Art’, Cafe Scientifique, Leeds, March 2008.

§ ‘The Aesthetic Value of Ideas’, American Society for Aesthetics Annual Meeting, Milwaukee (USA), October 2006.

§ ‘Defending a Reasonable Objectivism for Aesthetic Judgements’, British Society of Aesthetics Annual Conference, Oxford University, September 2005.

§ ‘Hume’s Standard of Taste: A Reply to Stephanie Ross’, American Society for Aesthetics Annual Meeting, Houston (USA), October 2004.

§ ‘Aesthetic Empiricism and Art as Performance’, Art in Context, University of Maribor (Slovenia), June 2004.