Vol. 1, No. 1 (Winter 2011)

Contents

  1. Endorsement - Professor Stephen Regan and Professor Corinne Saunders,
    University of Durham
  2. Editor's Introduction - Michael Plygawko, University of Durham
  3. The Language of Architecture and the Architecture of Language: the Dynamic Relationship between Character and Setting in Charles Dickens's Bleak House - Alexandra Hay, Princeton University
  4. The Emptiest Vessel Makes the Greatest Sound: Falstaff as Theatrical Cipher in Shakespeare's Henry IV through Henry V - Lauren E Mueller,
    University of California, Berkeley
  5. A Poetics of Cultural Exchange: Language, Form and Canonical Construction in Early Modern Irish Poetry - Lee Vahey, National University of Ireland, Galway
  6. Inescapable Perception: Imaginative Possibility and Limit in the Odes of John Keats - Michael Plygawko, University of Durham
  7. Classics, Contrapasso and the Christian Epic: Comparing the Serpent Transformation Scenes in Dante Alighieri's Inferno and John Milton's Paradise Lost - Elizabeth Wilkinson, Princeton University
  8. African Myth alongside Western Conventions in Toni Morrison's Song of Solomon - James O'Sullivan, University College Cork

 

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